Peter Sloterdijk sees our digitalized world in a "e;growing spatial crisis"e;, accompanied by the danger of a "e;general virtuality of all relationships"e;.
Shift Linguals traces a history of the cut-up method, the experimental writing practice discovered by Brion Gysin and made famous by Beat author William S.
In their previous book, Economies of Collaboration in Performance, Savage and Symonds explored the economy as a metaphor for understanding collaborative practices in the arts.
In their previous book, Economies of Collaboration in Performance, Savage and Symonds explored the economy as a metaphor for understanding collaborative practices in the arts.
This book offers an artist's perspective on the intriguing relationship between quantum physics and fine art, focusing particularly on the role of probability, chance and uncertainty.
"Los textos reunidos en este libro buscan entender la manera en que diferentes manifestaciones artísticas han afrontado el dolor de la violencia y el drama de quienes le sobreviven --o le sobrevivimos--; si hay un tema que ha ocupado a los creadores artísticos desde hace más de medio siglo es justamente los asuntos de la violencia, en todas sus manifestaciones: política, urbana, cotidiana, contra los niños, contra las mujeres, etc.
This book offers an artist's perspective on the intriguing relationship between quantum physics and fine art, focusing particularly on the role of probability, chance and uncertainty.
To explore the impact of psychoanalytic ideas and contemporary visual artists upon each other, this volume examines the aesthetics of the sublime as an allegory for psychic birth.
To explore the impact of psychoanalytic ideas and contemporary visual artists upon each other, this volume examines the aesthetics of the sublime as an allegory for psychic birth.
«Y hoy, más que nunca, tenemos el deber de amar este mundo, no solo porque somos responsables de su fragilidad, sino porque tenemos una deuda con él: nos ofrece su esplendor, y pasamos de largo.
Focusing on the moment of transition from the pictorial to the post-pictorial condition, this book advocates the opinion that what fundamentally distinguishes pictorial representation in Western civilization is one's ability to distinguish what the picture shows from what the picture refers to, and to that extent the reality inside the picture cannot be confused with what is outside it.
Leonardo da Vinci's arguments for the supremacy of painting over the arts of poetry, music, and sculpture address issues that have been relevant to debates over the nature of representation since the time Plato discussed imitation until today, maintains Claire Farago in this wide-ranging critical analysis of the first important modern contribution to the comparison of the arts.
There is currently a vigorous debate in film studies and related disciplines about the extent to which scientific paradigms like evolutionary psychology and neuroscience can explain the cinema and other artforms.
There is currently a vigorous debate in film studies and related disciplines about the extent to which scientific paradigms like evolutionary psychology and neuroscience can explain the cinema and other artforms.
This edited volume offers new models for engaging with the work of John Ruskin, the Victorian art critic, architectural and educational theorist, amateur meteorologist and naturalist who gradually became an outspoken critic of capitalist economics and industrialization's toll on the environment.
