Adventurous Film Making (1980) looks at some more ambitious and interesting techniques and shows how these serve film makers in expressing their ideas.
Un peu plus de cinquante ans après le colloque de Vienne (Isère), en 1971, l’AIEMA a fait son retour dans la vallée du Rhône pour son quinzième colloque international qui s’est tenu à Lyon et à Saint-Romain-en-Gal du 17 au 21 octobre 2022.
'Karolina Ramqvist's writing is straight-talking scripture' - Heidi Julavits, author of Directions to MyselfA moving memoir detailing four generations of women through the food they share.
This collection explores our fascination with homes across time, cultures, and disciplines while unpacking the relationship between private yearning and public belonging, illustrating the limitations and fluidity of identity and affiliation through the idea of homes and ancestral homelands.
Performing Climates features 13 interconnected essays exploring theatre and performance's relationship with more-than-human elements at a time of climate emergency.
Based on theatrical research of unusual depth and enterprise, Theatre as a Weapon (1986) shows how the workers' theatre of the 1920s and 1930s transformed the social function of theatre.
Artists, Writers and Philosophers on Psychoanalysis presents eclectic interviews with leading figures in their fields, focusing on the impact psychoanalysis has had on their lives and work, and the place of psychoanalysis within culture.
Fruit d’une vie de réflexion, ce petit livre illustré nous invite à plonger dans l’univers textuel et visuel sans limites des paradoxes, illusions, ambiguïtés, failles et autres instabilités.
This anthology presents a range of interdisciplinary explorations into the urban environment, through film, photography, digital imagery, maps and signage.
This book brings together a range of arts and development scholars and practitioners to explore the unique ways in which arts-based research methods can make a unique positive contribution to effective global development practice.
The Arab countries did not know the art of opera until the nineteenth century, when the cities of Cairo, Alexandria, Beirut, Damascus, and Aleppo witnessed the arrival of Italian and French troupes presenting musical plays.
Using the works and theories of Carl Gustav Jung and the astrologers Alan Leo, Dane Rudhyar and Liz Greene, this volume provides a cultural history of psychological astrology in the twentieth century, demonstrating the prevalence of 'magic' in modern culture through its presence in astrology.
