This accessible book provides an edited and annotated compilation of selections of Robert Ault's previously unpublished work, from presentations at psychiatric conferences to examples of his paintings and drawings.
New Approaches to Decolonizing Fashion History and Period Styles: Re-Fashioning Pedagogies offers a wide array of inclusive, global, practical approaches for teaching costume and fashion history.
Much ink has flown about the tumultuous relationship lasting nearly twenty years between Auguste Rodin (1840-1917) and Camille Claudel (1864-1943), two of the world’s most famous sculptors.
The first International Symposium on glass degradation in atmospheric conditions took place at the Centre de Recherche et de Restauration des Musées de France (C2RMF) in Paris from November 15 to 17, 2017.
Innovative Technology in Art Conservation provides one of the first ever critical assessments of innovation in conservation science and questions what role it should play in conservation and conservation ethics.
This edited volume, including contributions from scholars with different areas of specialization, investigates a broad range of methodologies, ideologies and pedagogies focusing on the study of the art of Africa, using theoretical reflections and applications from primitivism to metamodernism.
This edited volume, including contributions from scholars with different areas of specialization, investigates a broad range of methodologies, ideologies and pedagogies focusing on the study of the art of Africa, using theoretical reflections and applications from primitivism to metamodernism.
This book presents new ways of approaching photographic discourse from a queer perspective, offering discussions on what a queering methodology for photography may entail by drawing links between artistic strategies in photographic practice and key theoretical concepts from photography theory, queer theory, critical theory, and philosophy.
La restauration des monuments historiques après 1945, travail colossal, urgent et nécessaire, sert de creuset pour renouveler les techniques, mais aussi les théories de la restauration.
Innovative Technology in Art Conservation provides one of the first ever critical assessments of innovation in conservation science and questions what role it should play in conservation and conservation ethics.
Contemporary audiences are often shocked to learn that in the late 19th and early 20th centuries, medical students around the world posed for photographic portraits with their cadavers; a genre known as dissection photography.
This accessible book provides an edited and annotated compilation of selections of Robert Ault's previously unpublished work, from presentations at psychiatric conferences to examples of his paintings and drawings.
Cet ouvrage examine les différentes facettes d'un intellectuel, dont la personnalité, la carrière et l'œuvre n'avaient jusque-là guère retenu l'attention : Léon Rosenthal (1870-1932).
Exposition consacrée à ces étoffes japonaises : une trentaine de textiles tsutsugaki issus d'une collection privée sont présentés, accompagnés de quelques pièces issues du fond textile du musée.
Ces dernières années ont vu un renouveau des jardins de toutes sortes (familiaux et collectifs, partagés, potagers, d’agrément ou paysagers, petits et grands, connus ou anonymes) à travers de nouvelles pratiques, manifestations et publications.
Digital Painting and Rendering for Theatrical Design explores the tools and techniques for creating dazzling, atmospheric, and evocative digitally painted renderings for scenic, costume, and projection/integrated media design.
Digital Painting and Rendering for Theatrical Design explores the tools and techniques for creating dazzling, atmospheric, and evocative digitally painted renderings for scenic, costume, and projection/integrated media design.
Fundraising experts Karen Brooks Hopkins of the Brooklyn Academy of Music and Carolyn Stolper Friedman of the Contemporary Museum of Art in Chicago offer important insights into today's best fundraising strategies for arts and cultural organizations of all sizes.
Contemporary audiences are often shocked to learn that in the late 19th and early 20th centuries, medical students around the world posed for photographic portraits with their cadavers; a genre known as dissection photography.
This book presents new ways of approaching photographic discourse from a queer perspective, offering discussions on what a queering methodology for photography may entail by drawing links between artistic strategies in photographic practice and key theoretical concepts from photography theory, queer theory, critical theory, and philosophy.
Budapest, Bakou, Berlin, Kiev, Moscou, Vilnius… Villes traversées, paysages, fiancées ou beautés d’occasion au visage blanc, tremblé, croisées dans une chambre d’hôtel : c’est la vie qui fournit à Guillaume de Sardes les sujets de ses photographies.
Okwui Enwezor is widely regarded as a leader among the brilliant curators who emerged in the 1990s to set agendas for understanding the global expansiveness of contemporary art.
El proyecto más ambicioso de Max Raphael consistió en refundar la historia del arte como "ciencia empírica", una fórmula con la que se refería a un acceso al arte basado en una concepción experiencial de la visión como acto productivo, que convierte al espectador en émulo del pintor y reconstructor del cuadro.
Bringing together artists, curators, activists, academics, managers, and educators from around the world, this unique anthology examines the notion of ethics within socially engaged art.
Bringing together artists, curators, activists, academics, managers, and educators from around the world, this unique anthology examines the notion of ethics within socially engaged art.
Negative Aesthetics and Political Collapse in Eastern European and Balkan Cinema examines the theme of political collapse in select contemporary Eastern European and Balkan art cinema and documentaries from the late eighties to the present.
Combining ethnographic and archival research, this book examines the lives of colonial-period postcards and reveals how they become objects of contemporary historical imagination in India.
This book examines Clarice Lispector's body of work, foregrounding its theoretical insights and exploring its philosophical questions, which are placed in conversation with a range of theoretical frameworks and approaches.
Combining ethnographic and archival research, this book examines the lives of colonial-period postcards and reveals how they become objects of contemporary historical imagination in India.
In ihrem gesamten Tun steht die Kunstwissenschaft vor der epistemologischen Herausforderung eines Medienwechsels, wird doch der visuelle Gegenstand stets sprachlich verhandelt.
