Una collezione di 165 antiche cartoline del maestro Nicola Magliocca con vedute della citta dagli anni precedenti la seconda guerra mondiale agli anni '60.
The collection comprises 165 postcards of Gaeta with views of the city from the years preceding World War II up through the 1960s, which belonged to the authors grandfather, Nicola Magliocca, an accomplished and beloved Gaetano.
Der Abbau von Rohstoffen entwickelt sich in den letzten Jahrzehnten immer starker zu einem okologischen, okonomischen, politischen und sozialen Problem mit globalen Auswirkungen.
Tom Klobe, founding director of the University of Hawaii Art Gallery and emeritus professor, draws upon three decades of award-winning design work to produce a definitive text on what makes for compelling and unforgettable museum exhibitions.
Art on a JourneyIt started with an idea Darren Di Lieto had: Challenge illustrators and designers to create works of art on packages, envelopes and postcards - then actually send them to him through the mail.
Textiles explores the cultural meaning and exquisite workmanship found in the Museum of International Folk Art's vast collection that spans centuries and includes pieces from seventy countries around the world.
This carefully crafted ebook: "e;MODERN PAINTING - Its Tendency and Meaning (With Images)"e; is formatted for your eReader with a functional and detailed table of contents.
Today the Museum of Modern Art is widely recognized for establishing the canon of modern art; yet in its early years, the museum considered modern art part of a still unfolding experiment in contemporary visual production.
Today the Museum of Modern Art is widely recognized for establishing the canon of modern art; yet in its early years, the museum considered modern art part of a still unfolding experiment in contemporary visual production.
This book explores what visitors saw at the Trojan exhibition and why its contents, including treasure, plain pottery and human remains captured imaginations and divided opinions.
This book explores what visitors saw at the Trojan exhibition and why its contents, including treasure, plain pottery and human remains captured imaginations and divided opinions.
Margret Eicher: Faszinierende Wandteppiche zwischen Kunst, Medien und digitaler Welt – Hochwertiger Bildband mit spektakulärem FarbschnittDie Künstlerin Margret Eicher revolutioniert seit 25 Jahren die Kunst der Tapisserie.
Four artists who are today relatively or almost entirely unknown - one woman and three men - nevertheless played a part in the aesthetic upheavals that led to abstraction in 1940s Montreal.
Art Museum Educator: A Collection of Studies as Guides to Practice and Policy is an essential resource for professionals and enthusiasts alike, offering a comprehensive exploration of museum education with a special focus on visual arts and art museums.
A celebration of the remarkable poem vessels of Dave the PotterDavid Drake, who often signed his work simply as "e;Dave,"e; was an enslaved potter who lived and worked in Edgefield District, South Carolina.
This companion is a collection of newly-commissioned essays written by leading scholars in the field, providing a comprehensive introduction to British art history.
This companion is a collection of newly-commissioned essays written by leading scholars in the field, providing a comprehensive introduction to British art history.
An exhibition in book form, this showcase of the best of drawing now features one hundred works by almost fifty artists including Susan Hauptman, Paul Noble, Jeff Gabel, Tracey Emin, Jane Harris, Julia Fish, Cornelia Parker and Jerwood Drawing Prize winner Sarah Woodfine.
In Museum Skepticism, art historian David Carrier traces the birth, evolution, and decline of the public art museum as an institution meant to spark democratic debate and discussion.
The Index of American Design was one of the most significant undertakings of the Federal Art Project-the visual arts arm of the Works Progress Administration.
Spectacular, scientific, and educational cultural practices were used to establish and define public identities in the British colonies of nineteenth-century Canada.
Only thirty-nine when he took over the National Gallery in 1955, Jarvis already had an extraordinary record of achievement and social mobility at home and in England: he had trained with Canada's greatest artists, won a Rhodes scholarship, lunched at the Algonquin Round Table in New York, managed an aircraft factory, written a bestseller, produced films, run a slum settlement, and moved in a London social circle that included Noel Coward and Vivien Leigh.
Only thirty-nine when he took over the National Gallery in 1955, Jarvis already had an extraordinary record of achievement and social mobility at home and in England: he had trained with Canada's greatest artists, won a Rhodes scholarship, lunched at the Algonquin Round Table in New York, managed an aircraft factory, written a bestseller, produced films, run a slum settlement, and moved in a London social circle that included Noel Coward and Vivien Leigh.