History of art

Following the critical scepticism surrounding the notion of the 'self' as a singular entity during the 1960s, many artists and writers sought to test the apparent problem posed by autobiography as both a traditional genre and as a way of working.

By the late 1960s cartographic formats and spatial information had become a regular feature in many conceptual artworks.

Keine ausführliche Beschreibung für "Etruskische Spiegel" verfügbar.

Tauchen Sie ein in die faszinierende Welt des Schlosses Schwerin, einem der prachtvollsten Bauwerke Norddeutschlands.

Entdecken Sie die verborgene Welt des Widerstands: "Kunst & Literatur in der DDR – Widerstand zwischen den Zeilen"Tauchen Sie ein in die faszinierende und bewegende Geschichte der DDR, wie sie Ihnen noch nie erzählt wurde.

In a nineteenth century Chinese lacquer box, this book's author Joris Escher found two drawings of his great-uncle, the world-famous graphic artist M.

In The Politics of Collecting, Eunsong Kim traces how racial capitalism and colonialism situated the rise of US museum collections and conceptual art forms.

This edited volume foregrounds new and vital scholarship shaping Scandinavian art historical research on the representations of the natural world.

This study argues that photographs from Qajar Iran (1785-1925) of harem women, royal women, and public women, such as sex workers, musicians, singers, and dancers, make profound statements on the institution of the harem in a time of flux and modernization.

We encounter digital data processing on a range of platforms and in a multitude of contexts today: in the predictive algorithms of the financial sector, in drones, insurance, and risk management, in smart cities, biometrics, medicine, and more.

You will never look at social media the same way again.

We encounter digital data processing on a range of platforms and in a multitude of contexts today: in the predictive algorithms of the financial sector, in drones, insurance, and risk management, in smart cities, biometrics, medicine, and more.

This book examines the intersections of silence with immersive arts and experiences.

This book opens the doors to the homes of the forgotten poor and traces the goods they owned before, during and after the industrial revolution (c.

This collection offers a response to the view that migration disrupts national heritage.

An Artistic Autoethnography on the Public Fetus explores artistic work with the iconic image of the fetus and the personal consequences of the image by analyzing the so-called public fetus within a feminist approach.

From the third through the sixth centuries, the binding of Isaac saw a flourish of representation in Christian, Byzantine and Jewish art.

From the third through the sixth centuries, the binding of Isaac saw a flourish of representation in Christian, Byzantine and Jewish art.

In a nineteenth century Chinese lacquer box, this book's author Joris Escher found two drawings of his great-uncle, the world-famous graphic artist M.

The Lure of the South looks at the experience of British health seekers in the explosion of continental touring that occurred after the opening of the Post-Napoleonic European continent to relatively easy access.

Die Mona Lisa – ein Meisterwerk, das seit Jahrhunderten fasziniert, inspiriert und Rätsel aufgibt.

»Ein überragendes Talent und erzählerisches Universalgenie.

Jill Johnston began the 1960s as an influential dance columnist for the Village Voice and by the start of the next decade she was known as a keen observer of postmodern art and lesbian feminist life who challenged how dance, art, and women can and should be seen.

Baroquemania explores the intersections of art, architecture and criticism to show how reimagining the Baroque helped craft a distinctively Italian approach to modern art.

Keine ausführliche Beschreibung für "Die romanischen skulptierten Bogenfelder in Sachsen und Thüringen" verfügbar.

In Slavery and the Invention of Dutch Art, Caroline Fowler examines the fundamental role of the transatlantic slave trade in the production and evolution of seventeenth-century Dutch art.

This book interprets relationships between art and ethics in the context of contemporary South African art.

This book presents both a historical survey and a critical re-evaluation of the contested and contingent nature of the medium of painting over the last 60 years.