This single-volume resource explores the five major oceans of the world, addressing current issues such as sea rise and climate change and explaining the significance of the oceans from historical, geographic, and cultural perspectives.
Would it surprise you to know that New Testament scholars, missiologists, and church-planting authorities cannot agree on how to define tentmaking, whether or not the church should be practicing it today, or even why Paul did it in the first place?
WINNER Alice Davis Hitchcock Book Award 2025, Society of Architectural HistoriansWINNER Historians of British Art Book Award 2025 for Exemplary Scholarship on the Period between 1800-1960Small Spaces recasts the history of the British empire by focusing on the small spaces that made the empire possible.
This classic of art instruction is the work of James Duffield Harding (1798-1863), who served as drawing master and sketching companion to the great Victorian art critic, John Ruskin.
Olga von Boznańska (1865–1940) und Otolia Gräfin Kraszewska (1859–1945) gehören der ersten Generation von Künstlerinnen an, die professionell tätig waren und damit auch teilweise ihren Lebensunterhalt selbst bestritten.
Taking as its starting point the notion of photocinema - or the interplay of the still and moving image - the photographs, interviews, and critical essays in this volume explore the ways in which the two media converge and diverge, expanding the boundaries of each in interesting and unexpected ways.
In 1970 a concrete replica of the St John’s Cross arrived in Iona sitting incongruously on the deck of a puffer delivering the island’s annual supply of coal.
This study argues that intimacy requires an overcoming of shame, and each of these artists, in their own way, uses photography to frame moments that can be shameful to some and intimate others, leaving it to the viewer to navigate this affectively perilous terrain.
* A masterclass in all kinds of watercolour media, including pencil and paints * Inspiring variety of subjects and styles * Successful, proven author; highly motivated and available for demonstration work.
Beginning with the first comprehensive account of the discourse of appropriation that dominated the art world in the late 1970s and 1980s, Art After Appropriation suggests a matrix of inflections and refusals around the culture of taking or citation, each chapter loosely correlated with one year of the decade between 1989 and 1999.
The Routledge Handbook for Global South Studies on Subjectivities provides a series of exemplary studies conjoining perspectives from Asian, African, and Latin American Studies on subjectivity in the Global South as a central category of social and cultural analysis.
This book offers a reassessment of how "e;matter"e; - in the context of art history, criticism, and architecture - pursued a radical definition of "e;multiplicity"e;, against the dominant and hierarchical tendencies underwriting post-fascist Japan.
Thinking about Science, Reflecting on Art: Bringing Aesthetics and Philosophy of Science Together is the first book to systematically examine the relationship between the philosophy of science and aesthetics.
The Architecture of Medieval Churches investigates the impact of affective theology on architecture and artefacts, focusing on the Middle Ages as a period of high achievement of this synthesis.