Since its original publication in 1979, The Possibility of Naturalism has been one of the most influential works in contemporary philosophy of science and social science.
Severo Sarduy was among the most important figures in twentieth-century Latin American fiction and a major representative of the literary tendency to which he gave the name Neobaroque.
Although missio Dei--the mission of God--has been a burning theme in missiology since the end of the twentieth century, a key verse, John 3:16, has been widely neglected in missiology until today.
The wood engravers' self-portrait tells the story of the image-making firm Dalziel Brothers, investigating and interpreting a unique archive from the British Museum.
Building on the momentum of recent bestsellers like Katy Hessel's The Story of Art Without Men, Painting her pleasure spotlights three extraordinary women who defied convention in the male-dominated world of early 20th-century Paris.
Pierrot, a theatrical stock character known by his distinctive costume of loose white tunic and trousers, is a ubiquitous figure in French art and culture.
In the World of Vision by Gibran Khalil Gibran is a book that includes a selection of articles that captivate the reader with the depth of their ideas and the aesthetics of their style.
In Zeiten des Neoliberalismus mit angedrohten »konservativen Revolutionen« und Faschismus-Renaissancen übt der politisch-ästhetische Werkzeugkasten der langen 1960er Jahre große Anziehungskraft aus.
Disney's Encanto tells the story of the extraordinary Madrigal family, who live hidden away in the mountains of Colombia, in a magical house and a vibrant town called Encanto.
Modernist painter, socialist realist, Holocaust survivor, and student of the Parisian Avant Garde, Jewish-Polish artist Henryk Streng was extraordinary for his aesthetic innovation during the two major traumas of 20th-century European history, the Holocaust and Stalinism.
A comprehensive guide to addressing the present-day challenges of commemorating the past As debates over historical monuments and their meanings unfold, Memorials Now offers a critical exploration of how communities can navigate the complex terrain of commemorative practices.
Using artworks by Berthe Morisot, douard Manet, Claude Monet, Pierre-Auguste Renoir, and others, The Art of Parisian Chic explores how women and artists in Impressionist Paris (1855-1885) crafted their public images to exploit and resist stereotypes.
The first part of Volume 14 of the Yearbook presents ten essays concerned with Futurism in Italy, Russia, Ukraine, Czechoslovakia, Romania and Germany, and two focusing on dance and typography.
This volume explores the relationship between oneiric and historical episodes of atrocity as depicted in transnational twentieth- and twenty-first-century art, film, literature and theatre.
