Okwui Enwezor's 2016 exhibition Postwar: Art between the Pacific and the Atlantic, 1945-1965 redefined the history of art produced in those two decades.
Ökonomische Bildung ist nachgefragt, ob als Finanz- oder Wirtschafts-, Verbraucher- oder sozioökonomische Bildung, neuerdings auch als 'Entrepreneurship Education', und zielt damit auf vielerlei ab: auf die Anbahnung eines kritischen (Selbst-)Verständnisses als Verbraucher:in, auf politische Teilhabe, auf Fragen einer nachhaltigen Wirtschaftlichkeit, vielleicht auch auf Zurichtung im Hinblick auf Markttauglichkeit.
In seinem autobiografischen Roman schildert Jakob Senn mit umwerfendem Charme das Heranwachsen des Hans Grünauer, eines Bauernsohns, der früh an den Webstuhl gesetzt wird, um zum Unterhalt der Familie beizutragen.
A thought-provoking study of how knowledge of provenance was not transferred with enslaved people and goods from the Portuguese trading empire to Renaissance ItalyIn the fifteenth and sixteenth centuries, Renaissance Italy received a bounty of goods from Portuguese trading voyagesfruits of empire that included luxury goods, exotic animals and even enslaved people.
Dietro i ritratti di Frida Kahlo si può leggere tutta la sua storia: raramente un artista ha lasciato una così chiara e ricca testimonianza della propria vita, privata e lavorativa, tra la cornice dei suoi dipinti.
Bart van der Heide plädiert mit dieser Publikation dafür, dass Techno-Musik nicht nur als ekstatisches sowie kollektives Erlebnis fungieren, sondern auch als Plattform für gesellschaftskritische Diskurse dienen kann.
This important new book argues that at the root of the contemporary crisis of climate, energy, food, inequality, and meaning is a certain core presupposition that structures the ways in which we live, think, act and design: the assumption of dualism, or the fundamental separateness of things.
This book explores our corporeal connections to the past by considering what three theoretical approaches - somaesthetics, posthumanism, and the uncanny - may reveal about both premodern and postmodern terms of embodiment.
Urban Mobilities in Literature and Art Activism explores the entwinement of mobility and immobility in urban spaces by focusing on their representation in literary narratives but also in visual and performing arts.
Outsider Art and Psychoanalytic Psychiatry is a study of psychiatric institutes and psychiatric violence as seen through art created by the inhabitants of a psychiatric hospital.
This book examines the many functions of paper in the fine art and aesthetics of the early twentieth-century modernist or historic avant-garde (Expressionism, Cubism, Futurism, Dadaism, Surrealism, Constructivism and many more).
This important new book argues that at the root of the contemporary crisis of climate, energy, food, inequality, and meaning is a certain core presupposition that structures the ways in which we live, think, act and design: the assumption of dualism, or the fundamental separateness of things.
This volume focuses on Jewish American identity within the context of Pop art in New York City during the sixties to reveal the multivalent identities and selves often ignored in Pop scholarship.
Urban Mobilities in Literature and Art Activism explores the entwinement of mobility and immobility in urban spaces by focusing on their representation in literary narratives but also in visual and performing arts.
Outsider Art and Psychoanalytic Psychiatry is a study of psychiatric institutes and psychiatric violence as seen through art created by the inhabitants of a psychiatric hospital.
A major reassessment of the methods and meaning of impressionismAt pivotal moments in his career, Claude Monet would go out with a fellow artist, plant his easel beside his friend's, and paint the same scene.
Die Termini "übersetzen" und "sprachmitteln" bezeichnen komplexe Phänomene, die in den Fremdsprachendidaktiken immer schon intensiv thematisiert wurden.
Memories of an Art Collector arises from the need to gather, organise and disseminate the experience, memories and reflections of Jorge Helft as a collector of contemporary art, manager and promoter of cultural activities, and as a privileged witness of the national art scene since the late 1940s.
