In Borderland Brutalities, Laura Elena Belmonte analyzes how border violence is perpetuated and sanctioned by private corporations as well as the US and Mexican governments and how this violence is represented through border literature and cultural production.
Great Sacred Music, a free lunchtime event of spoken word and music for choirs and congregations, is a regular feature of the life at witness of St Martin-in-the-Fields.
Casting aside the traditional conception of film as an outgrowth of photography, theater, and the novel, the essays in this volume reassess the relationship between the emergence of film and the broader culture of modernity.
Nigeria brims with an array of art musicians who have endeavoured to create and perform art music using traditional compositional nuances and performance practices.
Casting aside the traditional conception of film as an outgrowth of photography, theater, and the novel, the essays in this volume reassess the relationship between the emergence of film and the broader culture of modernity.
Big Road Blues by David Evans delves into the often overlooked processes of folk blues tradition and composition, offering a groundbreaking study that reveals the intricate dynamics behind the evolution of this influential genre.
This collection examines representations of Spanish queer aging through investigations of literary and cinematic representations of this demographic, offering a showcase for research on communities often made invisible due to age and sexual identity in Spanish culture with wider implications for queer aging studies research.
In this accessible ethnography of a small town in northern Mozambique, everyday cultural knowledge and behaviors about food, cooking, and eating reveal the deeply human pursuit of a nourishing life.
Winner of the 2006 Bram Stoker Award, Gospel of the Living Dead connects American social and religious views with the classic American movie genre of the zombie horror film.
Most of the essays in this book were solicited for the tenth anniversary of the journal 19th Century Music, which has sought to encourage innovative writing about music--musicological, theoretical, and/or critical writing--since its founding in 1977.
Most of the essays in this book were solicited for the tenth anniversary of the journal 19th Century Music, which has sought to encourage innovative writing about music--musicological, theoretical, and/or critical writing--since its founding in 1977.
