This book presents a new model to visualize and understand the creative process in free improvisation: the Interactive Dimensions of the Creative Flow (IDCF).
Drawing a link between music and what Maurice Merleau-Ponty calls the habit body – a quasi-transcendental structure at the heart of our perceptual, social, and agential being – this book helps articulate why music has the power to express as well as shape our existence at a fundamental level.
This volume presents a cross-section of current Brecht studies, reflecting a variety of approaches and perspectives ranging from detailed exegesis of particular texts to cultural criticism in the broadest sense.
