This is the endorsed publication from OCR and Bloomsbury for the Latin AS and A-Level (Group 3) prescription of Horace's Satires, giving full Latin text, commentary and vocabulary for Satires 1.
This is the endorsed publication from OCR and Bloomsbury for the Latin AS and A-Level (Group 3) prescription of Horace's Satires, giving full Latin text, commentary and vocabulary for Satires 1.
Engaging, authoritative, and affordably priced, The Bedford Glossary of Critical and Literary Terms is a comprehensive reference that clearly and accessibly defines hundreds of important literary and critical terms from classical times to the present, making them real and relevant to twenty-first century students through examples drawn from contemporary literary and popular culture.
First published in 1934, this book covers a broad array of ancient Greek literature, taking into account the most acknowledged of the Greek authors as well as those less well known.
First published in 1934, this book covers a broad array of ancient Greek literature, taking into account the most acknowledged of the Greek authors as well as those less well known.
Analysing six Greek tragedies - the Orestes triology, Ajax, Antigone and Philoctetes - and Hamlet, this book also contains a chapter on the Greek and the Elizabethan dramatic forms and one on religious drama.
Analysing six Greek tragedies - the Orestes triology, Ajax, Antigone and Philoctetes - and Hamlet, this book also contains a chapter on the Greek and the Elizabethan dramatic forms and one on religious drama.
This volume, offering an insight into the literary world of Rome in the fourth century AD, reflects an increased interest in the writers of the 150 years before the collapse of the Western Empire, who have long been over-shadowed by the pre-eminence accorded since the eighteenth century to the Golden and Silver ages.
This volume, offering an insight into the literary world of Rome in the fourth century AD, reflects an increased interest in the writers of the 150 years before the collapse of the Western Empire, who have long been over-shadowed by the pre-eminence accorded since the eighteenth century to the Golden and Silver ages.
Thomas Campion, Milton, Crashaw, Herbert, Bourne, Walter Savage Landor - all these poets, between them spanning the period from the Elizabethan to the Victorian age, wrote a substantial body of Latin verse in addition to their better-known English poetry, representing part of the vast and almost unexplored body of Neo-Latin literature which appealed to an international reading public throughout Europe.
Thomas Campion, Milton, Crashaw, Herbert, Bourne, Walter Savage Landor - all these poets, between them spanning the period from the Elizabethan to the Victorian age, wrote a substantial body of Latin verse in addition to their better-known English poetry, representing part of the vast and almost unexplored body of Neo-Latin literature which appealed to an international reading public throughout Europe.
That the works of the ancient tragedians still have an immediate and profound appeal surely needs no demonstration, yet the modern reader continually stumbles across concepts which are difficult to interpret or relate to - moral pollution, the authority of oracles, classical ideas of geography - as well as the names of unfamiliar legendary and mythological figures.
That the works of the ancient tragedians still have an immediate and profound appeal surely needs no demonstration, yet the modern reader continually stumbles across concepts which are difficult to interpret or relate to - moral pollution, the authority of oracles, classical ideas of geography - as well as the names of unfamiliar legendary and mythological figures.
In this critical and historical interpretation of Petrarch's major Italian work, the collection of poems he called the Rerum vulgarium fagmenta, Peter Hainsworth presents Petrarch as a poet of outstanding sophistication and seriousness, occupied with issues which are still central to debates about poetry and language.
In this critical and historical interpretation of Petrarch's major Italian work, the collection of poems he called the Rerum vulgarium fagmenta, Peter Hainsworth presents Petrarch as a poet of outstanding sophistication and seriousness, occupied with issues which are still central to debates about poetry and language.
This volume, first published in 1974, offers a selection of modern perspectives on Seneca, covering his prose treatises, his letters and his tragedies.
This volume, first published in 1974, offers a selection of modern perspectives on Seneca, covering his prose treatises, his letters and his tragedies.
In Stagecraft in Euripides, first published in 1985, Professor Michael Halleran examines certain aspects of the dramaturgy of the most extensively preserved Attic tragedian.
In Stagecraft in Euripides, first published in 1985, Professor Michael Halleran examines certain aspects of the dramaturgy of the most extensively preserved Attic tragedian.
The work of Herodotos of Halikarnassos, 'the father of history', differs in many ways from that of modern historians, and it poses special problems to the student.
The work of Herodotos of Halikarnassos, 'the father of history', differs in many ways from that of modern historians, and it poses special problems to the student.
Sophocles: The Classical Heritage, first published in 1996, contains a diverse collection of reflection, ranging from the 16th century to the 20th, on one of the three great Attic tragedians, the author of perhaps the most famous play of all time.
Sophocles: The Classical Heritage, first published in 1996, contains a diverse collection of reflection, ranging from the 16th century to the 20th, on one of the three great Attic tragedians, the author of perhaps the most famous play of all time.
A remarkable number of Greek myths concern the plight of virgins - slaughtered, sacrificed, hanged, transformed into birds, cows, dear, bears, trees, and punished in Hades.
A remarkable number of Greek myths concern the plight of virgins - slaughtered, sacrificed, hanged, transformed into birds, cows, dear, bears, trees, and punished in Hades.
Women in Mycenaean Greece is the first book-length study of women in the Linear B tablets from Mycenaean Greece and the only to collect and compile all the references to women in the documents of the two best attested sites of Late Bronze Age Greece - Pylos on the Greek mainland and Knossos on the island of Crete.
Women in Mycenaean Greece is the first book-length study of women in the Linear B tablets from Mycenaean Greece and the only to collect and compile all the references to women in the documents of the two best attested sites of Late Bronze Age Greece - Pylos on the Greek mainland and Knossos on the island of Crete.
A number of ancient novelists were skilful storytellers and resourceful literary artists, and their works are often carefully individualised presentations of an ancient and distinguished heritage.
A number of ancient novelists were skilful storytellers and resourceful literary artists, and their works are often carefully individualised presentations of an ancient and distinguished heritage.
This study of Philostratus , first published in 1986, presents the Greek biographer's treatment of both sophists and holy men in the social and intellectual life of the early Roman Empire, which also displays his own distinctive literary personality as a superficial dilettante and an engrossing snob.
This study of Philostratus , first published in 1986, presents the Greek biographer's treatment of both sophists and holy men in the social and intellectual life of the early Roman Empire, which also displays his own distinctive literary personality as a superficial dilettante and an engrossing snob.
Mediterranean Heritage, first published in 1978, offers a wide-ranging and perceptive discussion of the often concealed links between English culture and the common heritage of Western Europe: the Graeco-Roman legacy of the Mediterranean.
Mediterranean Heritage, first published in 1978, offers a wide-ranging and perceptive discussion of the often concealed links between English culture and the common heritage of Western Europe: the Graeco-Roman legacy of the Mediterranean.
