Sophocles: The Classical Heritage, first published in 1996, contains a diverse collection of reflection, ranging from the 16th century to the 20th, on one of the three great Attic tragedians, the author of perhaps the most famous play of all time.
A remarkable number of Greek myths concern the plight of virgins - slaughtered, sacrificed, hanged, transformed into birds, cows, dear, bears, trees, and punished in Hades.
A remarkable number of Greek myths concern the plight of virgins - slaughtered, sacrificed, hanged, transformed into birds, cows, dear, bears, trees, and punished in Hades.
Women in Mycenaean Greece is the first book-length study of women in the Linear B tablets from Mycenaean Greece and the only to collect and compile all the references to women in the documents of the two best attested sites of Late Bronze Age Greece - Pylos on the Greek mainland and Knossos on the island of Crete.
Women in Mycenaean Greece is the first book-length study of women in the Linear B tablets from Mycenaean Greece and the only to collect and compile all the references to women in the documents of the two best attested sites of Late Bronze Age Greece - Pylos on the Greek mainland and Knossos on the island of Crete.
A number of ancient novelists were skilful storytellers and resourceful literary artists, and their works are often carefully individualised presentations of an ancient and distinguished heritage.
A number of ancient novelists were skilful storytellers and resourceful literary artists, and their works are often carefully individualised presentations of an ancient and distinguished heritage.
This study of Philostratus , first published in 1986, presents the Greek biographer's treatment of both sophists and holy men in the social and intellectual life of the early Roman Empire, which also displays his own distinctive literary personality as a superficial dilettante and an engrossing snob.
This study of Philostratus , first published in 1986, presents the Greek biographer's treatment of both sophists and holy men in the social and intellectual life of the early Roman Empire, which also displays his own distinctive literary personality as a superficial dilettante and an engrossing snob.
Mediterranean Heritage, first published in 1978, offers a wide-ranging and perceptive discussion of the often concealed links between English culture and the common heritage of Western Europe: the Graeco-Roman legacy of the Mediterranean.
Mediterranean Heritage, first published in 1978, offers a wide-ranging and perceptive discussion of the often concealed links between English culture and the common heritage of Western Europe: the Graeco-Roman legacy of the Mediterranean.
Aristophanes and Women, first published in 1993, investigates the workings of the great Athenian comedian's 'women plays' in an attempt to discern why they were in fact probably quite funny to their original audiences.
Aristophanes and Women, first published in 1993, investigates the workings of the great Athenian comedian's 'women plays' in an attempt to discern why they were in fact probably quite funny to their original audiences.
According to Aristotle the main purpose of tragedy is the manipulation of emotions, and yet there are relatively few accessible studies of the precise dynamics of emotion in the Athenian theatre.
According to Aristotle the main purpose of tragedy is the manipulation of emotions, and yet there are relatively few accessible studies of the precise dynamics of emotion in the Athenian theatre.
The author here reassesses the concept of 'masculinity', and argues that it cannot be seen as an absolute standard, but only as the product of perpetual conflict between competing and unstable models.
The author here reassesses the concept of 'masculinity', and argues that it cannot be seen as an absolute standard, but only as the product of perpetual conflict between competing and unstable models.
This book, first published in 1958, aims to describe Greek art and poetry within this ambiguous period of ancient history (often referred to as the Greek 'Dark Ages'), and to explore the possibilities of learning about Mycenaean civilisation from its own documents and not only from archaeology.
This book, first published in 1958, aims to describe Greek art and poetry within this ambiguous period of ancient history (often referred to as the Greek 'Dark Ages'), and to explore the possibilities of learning about Mycenaean civilisation from its own documents and not only from archaeology.
This book sheds new light on the dramatic works of the American playwright, poet, and lyricist Maxwell Anderson, assessing the pervasive influence of Greek and Roman antiquity on his plays that dominated Broadway in the first half of the twentieth century.
Ovid: The Classical Heritage, first published in 1995, contains a diverse collection of reflections, ranging from the first century, through the Middle Ages, to the twentieth, on a poet who has been adored and reviled in equal measure.
Ovid: The Classical Heritage, first published in 1995, contains a diverse collection of reflections, ranging from the first century, through the Middle Ages, to the twentieth, on a poet who has been adored and reviled in equal measure.
Herodotus has shaped our knowledge of life, religion, war and politics in ancient Greece immeasurably, as well as being one of the most entertaining of all Classical Greek authors: fascinating, perceptive, accessible and not at all pretentious.
Herodotus has shaped our knowledge of life, religion, war and politics in ancient Greece immeasurably, as well as being one of the most entertaining of all Classical Greek authors: fascinating, perceptive, accessible and not at all pretentious.
The Sophists, the Socratics and the Cynics had one important characteristic in common: they mainly used spoken natural language as their instrument of investigation, and they were more concerned to discover human nature in its various practical manifestations than the facts of the physical world.
The Sophists, the Socratics and the Cynics had one important characteristic in common: they mainly used spoken natural language as their instrument of investigation, and they were more concerned to discover human nature in its various practical manifestations than the facts of the physical world.
Containing a comprehensive dictionary of hieroglyphs to all the texts of the Theban Recension of the Book of the Dead, and also to most of the supplementary Chapters of the Saite and Graeco-Roman period that are usually appended to it, this volume will prove to be a staple part of a rounded appreciation of Ancient Egyptian literature.
Containing a comprehensive dictionary of hieroglyphs to all the texts of the Theban Recension of the Book of the Dead, and also to most of the supplementary Chapters of the Saite and Graeco-Roman period that are usually appended to it, this volume will prove to be a staple part of a rounded appreciation of Ancient Egyptian literature.
The recital of The Book of Opening the Mouth and the Liturgy of Funerary Offerings were in use among the Predynastic Egyptians of the later part of the Neolithic Period, before the art of writing had evolved, and continued to exercise a considerable influence on Egyptian religious literature until the time of Roman Empire.
The recital of The Book of Opening the Mouth and the Liturgy of Funerary Offerings were in use among the Predynastic Egyptians of the later part of the Neolithic Period, before the art of writing had evolved, and continued to exercise a considerable influence on Egyptian religious literature until the time of Roman Empire.
The recital of The Book of Opening the Mouth and the Liturgy of Funerary Offerings were in use among the Predynastic Egyptians of the later part of the Neolithic Period, before the art of writing had evolved, and continued to exercise a considerable influence on Egyptian religious literature up until the time of Roman Empire.
The recital of The Book of Opening the Mouth and the Liturgy of Funerary Offerings were in use among the Predynastic Egyptians of the later part of the Neolithic Period, before the art of writing had evolved, and continued to exercise a considerable influence on Egyptian religious literature up until the time of Roman Empire.
