Aristophanes and Women, first published in 1993, investigates the workings of the great Athenian comedian's 'women plays' in an attempt to discern why they were in fact probably quite funny to their original audiences.
Aristophanes and Women, first published in 1993, investigates the workings of the great Athenian comedian's 'women plays' in an attempt to discern why they were in fact probably quite funny to their original audiences.
According to Aristotle the main purpose of tragedy is the manipulation of emotions, and yet there are relatively few accessible studies of the precise dynamics of emotion in the Athenian theatre.
According to Aristotle the main purpose of tragedy is the manipulation of emotions, and yet there are relatively few accessible studies of the precise dynamics of emotion in the Athenian theatre.
The author here reassesses the concept of 'masculinity', and argues that it cannot be seen as an absolute standard, but only as the product of perpetual conflict between competing and unstable models.
The author here reassesses the concept of 'masculinity', and argues that it cannot be seen as an absolute standard, but only as the product of perpetual conflict between competing and unstable models.
This book, first published in 1958, aims to describe Greek art and poetry within this ambiguous period of ancient history (often referred to as the Greek 'Dark Ages'), and to explore the possibilities of learning about Mycenaean civilisation from its own documents and not only from archaeology.
This book, first published in 1958, aims to describe Greek art and poetry within this ambiguous period of ancient history (often referred to as the Greek 'Dark Ages'), and to explore the possibilities of learning about Mycenaean civilisation from its own documents and not only from archaeology.
This book sheds new light on the dramatic works of the American playwright, poet, and lyricist Maxwell Anderson, assessing the pervasive influence of Greek and Roman antiquity on his plays that dominated Broadway in the first half of the twentieth century.
Ovid: The Classical Heritage, first published in 1995, contains a diverse collection of reflections, ranging from the first century, through the Middle Ages, to the twentieth, on a poet who has been adored and reviled in equal measure.
Ovid: The Classical Heritage, first published in 1995, contains a diverse collection of reflections, ranging from the first century, through the Middle Ages, to the twentieth, on a poet who has been adored and reviled in equal measure.
Herodotus has shaped our knowledge of life, religion, war and politics in ancient Greece immeasurably, as well as being one of the most entertaining of all Classical Greek authors: fascinating, perceptive, accessible and not at all pretentious.
Herodotus has shaped our knowledge of life, religion, war and politics in ancient Greece immeasurably, as well as being one of the most entertaining of all Classical Greek authors: fascinating, perceptive, accessible and not at all pretentious.
The Sophists, the Socratics and the Cynics had one important characteristic in common: they mainly used spoken natural language as their instrument of investigation, and they were more concerned to discover human nature in its various practical manifestations than the facts of the physical world.
The Sophists, the Socratics and the Cynics had one important characteristic in common: they mainly used spoken natural language as their instrument of investigation, and they were more concerned to discover human nature in its various practical manifestations than the facts of the physical world.
Containing a comprehensive dictionary of hieroglyphs to all the texts of the Theban Recension of the Book of the Dead, and also to most of the supplementary Chapters of the Saite and Graeco-Roman period that are usually appended to it, this volume will prove to be a staple part of a rounded appreciation of Ancient Egyptian literature.
Containing a comprehensive dictionary of hieroglyphs to all the texts of the Theban Recension of the Book of the Dead, and also to most of the supplementary Chapters of the Saite and Graeco-Roman period that are usually appended to it, this volume will prove to be a staple part of a rounded appreciation of Ancient Egyptian literature.
The recital of The Book of Opening the Mouth and the Liturgy of Funerary Offerings were in use among the Predynastic Egyptians of the later part of the Neolithic Period, before the art of writing had evolved, and continued to exercise a considerable influence on Egyptian religious literature until the time of Roman Empire.
The recital of The Book of Opening the Mouth and the Liturgy of Funerary Offerings were in use among the Predynastic Egyptians of the later part of the Neolithic Period, before the art of writing had evolved, and continued to exercise a considerable influence on Egyptian religious literature until the time of Roman Empire.
The recital of The Book of Opening the Mouth and the Liturgy of Funerary Offerings were in use among the Predynastic Egyptians of the later part of the Neolithic Period, before the art of writing had evolved, and continued to exercise a considerable influence on Egyptian religious literature up until the time of Roman Empire.
The recital of The Book of Opening the Mouth and the Liturgy of Funerary Offerings were in use among the Predynastic Egyptians of the later part of the Neolithic Period, before the art of writing had evolved, and continued to exercise a considerable influence on Egyptian religious literature up until the time of Roman Empire.
Lucian and His Roman Voices examines cultural exchanges, political propaganda, and religious conflicts in the Early Roman Empire through the eyes of Lucian, his contemporary Roman authors, and Christian Apologists.