This book analyzes an example of life-writing, an autobiography that was written in the early nineteenth century and will appeal to readers of many disciplines who are interested in understanding the interconnectedness of memory, textual narrative, and ideas of selfhood.
By exposing the theory of romance to the romance of theory, Diane Elam explores literature's most uncertain, least easily definable and most tenacious genre, assessing its implications for both feminism and the understanding of history.
This study, originally published in 1990, assesses a shift in the presentation of self-consciousness in two pairs of novels by Doris Lessing and Carmen Martin Gaite: 1) Lessing's The Summer Before the Dark (1973) and Martin Gaite's Retahilas (1974) and 2) Lessing's The Memoirs of a Survivor (1974) and Martin Gaite's The Back Room (1978).
Through exploring complex suffering in the writings of Aminatta Forna, Isabel Allende and Anuradha Roy, Women Writing Trauma in the Global South dismantles conceptual shortcomings and problematic imbalances at the core of existing theorizations around psychological trauma.
Through exploring complex suffering in the writings of Aminatta Forna, Isabel Allende and Anuradha Roy, Women Writing Trauma in the Global South dismantles conceptual shortcomings and problematic imbalances at the core of existing theorizations around psychological trauma.
The Routledge Handbook of North American Indigenous Modernisms provides a powerful suite of innovative contributions by both leading thinkers and emerging scholars in the field.
The Routledge Handbook of North American Indigenous Modernisms provides a powerful suite of innovative contributions by both leading thinkers and emerging scholars in the field.
Drawing on an interdisciplinary panel of contributors, this book presents a stimulating dialogue between economics and art theory and considers how this might aid our understanding of both areas of research.
Drawing on an interdisciplinary panel of contributors, this book presents a stimulating dialogue between economics and art theory and considers how this might aid our understanding of both areas of research.
This collection seeks to expand the centers from which scholars theorize translation, building on themes in Rosemary Arrojo's pioneering work on transfiction and the influence of bordering disciplines in investigating and elucidating questions central to the field of translation studies.
This collection seeks to expand the centers from which scholars theorize translation, building on themes in Rosemary Arrojo's pioneering work on transfiction and the influence of bordering disciplines in investigating and elucidating questions central to the field of translation studies.
By exposing the theory of romance to the romance of theory, Diane Elam explores literature's most uncertain, least easily definable and most tenacious genre, assessing its implications for both feminism and the understanding of history.
This study, originally published in 1990, assesses a shift in the presentation of self-consciousness in two pairs of novels by Doris Lessing and Carmen Martin Gaite: 1) Lessing's The Summer Before the Dark (1973) and Martin Gaite's Retahilas (1974) and 2) Lessing's The Memoirs of a Survivor (1974) and Martin Gaite's The Back Room (1978).
This book presents the first collection of studies of the senses and sensory experiences in China, filling a gap in sensory research while offering new approaches to Chinese Studies.
This book presents the first collection of studies of the senses and sensory experiences in China, filling a gap in sensory research while offering new approaches to Chinese Studies.
This fully updated new edition of The Routledge Companion to World Literature contains ten brand new chapters on topics such as premodern world literature, migration studies, world history, artificial intelligence, global Englishes, remediation, crime fiction, Lusophone literature, Middle Eastern literature, and oceanic studies.
This fully updated new edition of The Routledge Companion to World Literature contains ten brand new chapters on topics such as premodern world literature, migration studies, world history, artificial intelligence, global Englishes, remediation, crime fiction, Lusophone literature, Middle Eastern literature, and oceanic studies.
This book explores ways in which Western literature has engaged with themes found within the field of science and religion, both historically and in the present day.
This book explores ways in which Western literature has engaged with themes found within the field of science and religion, both historically and in the present day.
This book analyses some of the many upheavals brought about by the COVID-19 pandemic through the lens of the COVID-19-communication-culture interface, with a particular focus on the new global, virtual workplace.
This book analyses some of the many upheavals brought about by the COVID-19 pandemic through the lens of the COVID-19-communication-culture interface, with a particular focus on the new global, virtual workplace.
This book re-reads the last 60 years of Anglophone African women's writing from a transnational and trans-historical feminist perspective, rather than postcolonial, from which these texts have been traditionally interpreted.
This book re-reads the last 60 years of Anglophone African women's writing from a transnational and trans-historical feminist perspective, rather than postcolonial, from which these texts have been traditionally interpreted.
The main objective of this book is to explain how contemporary literatures in Spanish and Portuguese are dealing with artistic creativity when artmaking is no longer a specialised field of cultural production, but rather an expanded field of socioeconomic interaction, personal and creative self-definition and collective imagination.
The main objective of this book is to explain how contemporary literatures in Spanish and Portuguese are dealing with artistic creativity when artmaking is no longer a specialised field of cultural production, but rather an expanded field of socioeconomic interaction, personal and creative self-definition and collective imagination.