The period between 1880 and 1918, at the end of which Jim Crow was firmly established and the Great Migration of African Americans was well under way, was not the nadir for black culture, James Smethurst reveals, but instead a time of profound response from African American intellectuals.
This collection, first published in 1982, brings together thirteen writers from a wide variety of critical traditions to take a fresh look at Joyce and his crucial position not only in English literature but in modern literature as a whole.
In the early nineteenth century, the southern poor white had a reputation for comic vulgarity and absurd violence; postbellum writers saw him as a quaint peasant; the 1920s transformed him into a revolutionary proletarian.
Rather than reading small-town representations in Canadian literature as portraits of a parochial past or a lost golden age, this book claims that they are best understood as sophisticated statements on the effects of modernity in an ever-more cosmopolitan world.
Formed in 1960 in Raleigh, North Carolina, the Student Non-violent Coordinating Committee (SNCC) was a high-profile civil rights collective led by young people.
The American Civil War: A Literary and Historical Anthology brings together a wide variety of important writings from the Civil War and Reconstruction eras, including short fiction, poetry, public addresses, memoirs, and essays, accompanied by detailed annotations and concise introductions.
This wide-ranging and unique collection of documents on one of the most enduring of literary genres, Tragedy, offers a radical revaluation of its significance in the light of the critical attention that it has received during the past one-hundred and fifty years.
Manuscripts from the Byzantine era hand down lists of outstanding Greek authors or canons in the various literary and scientific-philosophical genres, but there has been a lack of research into their nature, chronology, origin, formation and use.
As the first nineteenth century woman to successfully campaign for women's rights legislation, Caroline Norton has been comparatively neglected and under-researched.
Rather than reading small-town representations in Canadian literature as portraits of a parochial past or a lost golden age, this book claims that they are best understood as sophisticated statements on the effects of modernity in an ever-more cosmopolitan world.
Why the university should focus on community: "e;An enlightening interpretation of Wendell Berry's philosophy for the pursuit of a holistic higher education.
First published in 1977, this book focuses on Modernism, one of the most frequently used terms in the discussion of twentieth-century literature and culture.
First published in 1909, with a second edition in 1923, this concise and easily accessible overview of Shelley's life and work presents the poet not as popular legend would have it, but in a more objective light.
First published in 1972, this is the first detailed study of the milieu of the eighteenth-century literary hack and its significance in Augustan literature.
An ebook compilation of inspirational writings, featuring seven classic works in one high quality, fully searchable edition:The compilation includes:'Mere Christianity'The Screwtape Letters'Surprised by Joy'The Four Loves'The Problem of Pain'The Great Divorce'Miracles'C.
Thomas Pynchon's fiction has been considered masculinist, misogynist, phallocentric, and pornographic: its formal experimentation, irony, and ambiguity have been taken both to complicate such judgments and to be parts of the problem.
Saul Steinberg's inimitable drawings, paintings, and assemblages enriched the New Yorker, gallery and museum shows, and his own books for more than half a century.
This set reissues two volumes entitled A Book of Broadsheets and A Second Book of Broadsheets, both with introductions by Geoffrey Dawson, a former editor of The Times.
In this compelling interdisciplinary study, Linda Grasso demonstrates that using anger as a mode of analysis and the basis of an aesthetic transforms our understanding of American women's literary history.
This book sheds light on how the text and physical design of James Joyce's two most challenging works, Ulysses and Finnegans Wake, reflect changes that transformed Europe between World War I and II.