The Eastern Mediterranean in the Age of Ramesses II offers a transnational perspective on the age of King Ramesses II of Egypt during the centuries of 1500 to 1200 BC.
A comprehensive treatment of the significant symbols and institutions of Roman religion, this companion places the various religious symbols, discourses, and practices, including Judaism and Christianity, into a larger framework to reveal the sprawling landscape of the Roman religion.
This two-volume Companion to Greek and Roman Historiography reflects the new directions and interpretations that have arisen in the field of ancient historiography in the past few decades.
Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
Greek Tragedy sets ancient tragedy into its original theatrical, political and ritual context and applies modern critical approaches to understanding why tragedy continues to interest modern audiences.
This timely introduction to Old English literature focuses on the production and reception of Old English texts, and on their relation to Anglo-Saxon history and culture.
Designed as both a contribution to original research and as a stimulating and accessible text, this volume is a helpful, reliable, responsive and adaptable resource for students of Chaucer at all levels.
This anthology explores the multitude of evidence for recognisable fairy tales drawn from sources in the much older cultures of the ancient world, appearing much earlier than the 17th century where awareness of most fairy tales tends to begin.
This anthology explores the multitude of evidence for recognisable fairy tales drawn from sources in the much older cultures of the ancient world, appearing much earlier than the 17th century where awareness of most fairy tales tends to begin.
Born around 630BC on the Greek island of Lesbos, Sappho is now regarded as the greatest lyrical poet of ancient Greece, ironic and passionate, capturing the troubled depths of love.
How the Ottomans refashioned and legitimated their rule through mystical imageries of authorityThe medieval theory of the caliphate, epitomized by the Abbasids (750-1258), was the construct of jurists who conceived it as a contractual leadership of the Muslim community in succession to the Prophet Muhammed's political authority.
The study of Homeric imitations in Vergil has one of the longest traditions in Western culture, starting from the very moment the Aeneid was circulated.
From Pulitzer Prize-winner Garry Wills, the story of Augustine's ConfessionsIn this brief and incisive book, Pulitzer Prize-winning historian Garry Wills tells the story of the Confessions--what motivated Augustine to dictate it, how it asks to be read, and the many ways it has been misread in the one-and-a-half millennia since it was composed.
Although Classical Athenian ideology did not permit women to exercise legal, economic, and social autonomy, the tragedies of Aeschylus, Sophocles, and Euripides often represent them as influential social and moral forces in their own right.
By "e;literary criticism"e; we usually mean a self-conscious act involving the technical and aesthetic appraisal, by individuals, of autonomous works of art.
This wide-ranging study of language and cultural change in fourteenth-century England argues that the influence of oral tradition is much more important to the advance of literacy than previously supposed.
As the specter of religious extremism has become a fact of life today, the temptation is great to allow the evil actions and perspectives of a minority to represent an entire tradition.
A unique look at how classical notions of ascent and flight preoccupied early modern British writers and artistsBetween the late sixteenth century and early nineteenth century, the British imagination-poetic, political, intellectual, spiritual and religious-displayed a pronounced fascination with images of ascent and flight to the heavens.