Literary studies: c 1400 to c 1600

Origen de la santísima cruz de milagros de la ciudad de Querétaro es un documento no suficientemente conocido, a pesar de sus ecos en la historiografía panegírica de esta rica región del virreinato: por un lado, los cronistas franciscanos del siglo XVIII lo aprovecharon para crear una historia piadosa sobre el origen de esta ciudad, del Colegio Apostólico de Propaganda Fide y de la cruz de piedra que se venera en el interior de su iglesia; por otro, ha sido fuente de inspiración para los otomíes del Bajío, en el centronorte de México, para quienes las tradiciones sobre la conquista de los cazadores chichimecas, llevada a cabo por sus antepasados en el siglo XVI, son un factor básico en la conformación de la identidad étnica.

Kein Buch wurde häufiger übersetzt als die Bibel; sie existiert in 2817 Sprachen.

This is the first ample collection of facetiae, or witty tales, from the Italian Renaissance to be published in English.

This volume is an essential supplement to Pastoral poetry of the English Renaissance: An anthology (2016).

Esta miscelánea de trabajos comparte la preocupación común de ofrecer miradas y ampliar perspectivas de análisis acerca de los fenómenos de transculturación y de migraciones textuales en el itinerario Europa-Canarias-América bajo el signo de la atlanticidad, según el concepto acuñado por Juan Manuel García Ramos.

This collection of new essays about the earl of Essex, one of the most important figures of the Elizabethan court, resituates his life and career within the richly diverse contours of his cultural and political milieu.

The first book-length study of the famous pre-1600 library at Corpus Christi College, one of the few college libraries to survive in its original form and with many of its original books in contemporary bindings.

Medieval romances were widely condemned by early modern thinkers: the genre of questing knights and marvellous adventure was decried as bloody, bawdy and superstitious.

Anthony Copley's A Fig for Fortune was the first major poetic response to Edmund Spenser's The Faerie Queene.

This is the first complete edition and English translation of John Hall's Little Book of Cures, a fascinating medical casebook composed in Latin around 1634-5.

Sixty-sixth annual volume, taking in a range of topics relating to the literature of the period, from the power of naming to Shakespeare and Spenser, Herbert, Margaret Tyler and Margaret Cavendish, and Ben Jonson.

While among the most common of Renaissance genres, the epigram has been largely neglected by scholars and critics: James Doelman's book is the first major study on the Renaissance English epigram since 1947.

In this classic work, acclaimed Shakespeare critic C.

This volume explores the transnationality and interculturality of early modern performance in multiple languages, cultures, countries and genres.

Edmund Spenser famously conceded to his friend Walter Raleigh that his method in The Faerie Queene 'will seeme displeasaunt' to those who would 'rather have good discipline delivered plainly in way of precepts, or sermoned at large.

Love poetry in the Spanish Golden Age redefines the lyric poetry that is located at the centre of Imperial Spanish culture's own self-image and self-definition.

A collection of essays which show how early drama traditions were transformed, recycled, re-used and reformed across time to form new relationships with their audiences.

Esta edición de la obra reunida de Américo Castro pretende rendir tributo a la lucidez, honestidad y valentía de una obra ingente que se ha visto relegada al olvido, tras haber sufrido ataques desde diversos frentes.

Tilly Keisers beste Bilder entstanden aus dem Savoir par Cœur, aus dem visuell Memorierten und der Gewissheit bedeutender Erlebnisse.

The Burley manuscript is a miscellany compiled in the late sixteenth and early seventeenth century, unique in size and variety.

Novel horizons analyses how narrative prose fiction developed during the English Restoration.

Rereading Chaucer and Spenser is a much-needed volume that brings together established and early career scholars to provide new critical approaches to the relationship between Geoffrey Chaucer and Edmund Spenser.

In exploring links between the early modern English theatre and France, Richard Hillman focuses on Shakespeare's deployment of genres whose dominant Italian models and affinities might seem to leave little scope for French ones.

Spenser's extraordinary Shepheardes Calender as first printed in 1579 is arguably the seminal book of the Elizabethan literary renaissance.

The names Edmund Spenser and John Donne are typically associated with different ages in English poetry, the former with the sixteenth century and the Elizabethan Golden Age, the latter with the 'metaphysical' poets of the seventeenth century.

While among the most common of Renaissance genres, the epigram has been largely neglected by scholars and critics: James Doelman's book is the first major study on the Renaissance English epigram since 1947.

The Burley manuscript is a miscellany compiled in the late sixteenth and early seventeenth century, unique in size and variety.

Features the best scholarly essays from the 2013 Southeastern Renaissance Conference held at Duke University in Durham, North Carolina, including essays on Renaissance poetics, friendship, and representations of women.

For educated poets and readers in the Renaissance, classical literature was as familiar and accessible as the work of their compatriots and contemporaries - often more so.

Dubbed 'the English Virgil' in his own lifetime, Spenser has been compared to the Augustan laureate ever since.

Inspiration in the Age of Enlightenment reconsiders theories of apostrophe and poetic authority to argue that the Augustan age created a new form of inspiration, one that not only changed the relationship of literary production to authority in the modern period but also crucially contributes to defining the movement of secularization in literature from the Renaissance to Romanticism.

Anthony Copley's A Fig for Fortune was the first major poetic response to Edmund Spenser's The Faerie Queene.

This collection of new essays about the earl of Essex, one of the most important figures of the Elizabethan court, resituates his life and career within the richly diverse contours of his cultural and political milieu.