Salman Rushdie's writing is engaged with translation in many ways: translator-figures tell and retell stories in his novels, while acts of translation are catalysts for climactic events.
After the Modernist literary experiments of her earlier work, Virginia Woolf became increasingly concerned with overt social and political commentary in her later writings, which are preoccupied with dissecting the links between patriarchy, patriotism, imperialism and war.
Great Shakespeareans offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally.
Now in its second edition and with new chapters covering such texts as Elizabeth Gilbert's Eat, Pray, Love and 'yummy mummy' novels such as Allison Pearson's I Don't Know How She Does It, this is a wide-ranging survey of popular women's fiction from 1945 to the present.
Postcolonial Literatures in Context is a clear, accessible and concise introduction to postcolonial literatures in English (and English translation) and their wider contexts.
There has been a proliferation in recent scholarship of studies of monuments and their histories and of theoretical positions that shed light on aspects of their meanings.
Terrorism and Temporality in the Works of Thomas Pynchon and Don DeLillo starts from a simple premise: that the events of the 11th of September 2001 must have had a major effect on two New York residents, and two of the seminal authors of American letters, Pynchon and DeLillo.
Even after the upheavals wrought by Theory, literary criticism has generally ignored the act and experience of reading itself, proceeding as though something so fundamental to our experience of texts could be taken for granted.
Choice Outstanding Academic Title 2014 Literature after Globalization offers a detailed study of recent literary and theoretical responses to technology, globalization, and national identity.
With its innovative narrative structure and its controversial explorations of race, gender and empire, Joseph Conrad's Heart of Darkness is a landmark of 20th century literature that continues to resonate to this day.
Margaret Atwood's popular dystopian novel A Handmaid's Tale, engages the reader with a broad range of issues relating to power, gender and religious politics.
An excellent account of, and reflection on, each diverse stage of American literary giant Philip Roth's fifty-year career, this book also looks outwards, touching on other aspects of intellectual life in America, such as the rise of The New York Intellectuals Trilling, Howe, Bellow and Kazin.
Since the success of Gabriel García Márquez's 1967 novel One Hundred Years of Solitude, and the following Latin American literary 'boom' of the late sixties and seventies, magical realism has had a steady following, an international influence and become established as a literary genre.
In the aftermath of the September 11 terror attacks, the political situation in both the United States and abroad has often been described as a "e;state of exception"e;: an emergency situation in which the normal rule of law is suspended.
Since the development of British Aestheticism in the 1870s, the concept of irony has focused a series of anxieties which are integral to modern literary practice.
Encountering Buddhism in Twentieth-Century British and American Literature explores the ways in which 20th-century literature has been influenced by Buddhism, and has been, in turn, a major factor in bringing about Buddhism's increasing spread and influence in the West.
Scenes of Intimacy analyzes the representation of acts and relationships of intimacy in contemporary literature, the effect this has upon readers, and the ways these representations resonate with, complement, and challenge the concerns of contemporary theory.
The first female Chair of the Royal Society of Literature and translated into thirteen languages, Maggie Gee is writing the Victorian condition-of-England novel for 21st-century Britain.
Samuel Beckett is widely regarded as 'the last modernist', the writer in whose work the aesthetic principles which drove the modernist project dwindled and were finally exhausted.
Like the characters in the popular dime novels of the time, London''s heroes display such manly virtues as courage, loyalty, and steadfastness as they conftont the merciless frozen expanses of the north.
Described by the late James Dickey as "one of the finest new poets to come along in years," Robert Wrigley fulfills that early promise with this, his newest collection.
From the foreword by Maya Angelou:"e;[T]he joy they promise in their prose makes me glad that I and other writers have been willing to make good writing our aim, and even great writing our dream.
Focusing on literary representations of gentrification, this book analyses twenty-first century anglophone novels by authors from the United States, Canada, India, the United Kingdom and Australia.