This book demonstrates how the roles of "e;author,"e; "e;marketer,"e; and "e;reviewer"e; are being redefined, as online environments enable new means for young adults to participate in the books they love.
Native American Literature underwent a Renaissance around 1968, and the current canon of novels written in the late twentieth century in American English by Native American or mixed-blood authors is diverse, exciting and flourishing.
Making a strong case for a revaluation of Wyndham Lewis (1882-1957), this collection argues that significant aspects of Lewis's writing, painting, and thinking have not yet received the attention they deserve.
In a career that spanned over forty years, Ella Hepworth Dixon (1857-1932) was alternately journalist, critic, essayist, short story writer, novelist, editor of a women's magazine, dramatist, and autobiographer.
This book examines the poetics of autobiographical masterpieces written in Arabic by Leila Abouzeid, Hanan al-Shaykh, Samuel Shimon, Abd al-Rahman Munif, Salim Barakat, Mohamed Choukri and Hanna Abu Hanna.
Modern Greece, constructed by the early nineteenth-century ideals and ideas associated with Byron, has been "e;haunted, holy ground"e; in English and American literature for almost two centuries.
This book offers an exploration of masculinity in the literature of the Arab East (Lebanon, Jordan, Palestine, Syria, and Iraq) in the context of a specific set of anxieties about gender roles and sexuality in Arab societies.
A study of how Kazuo Ishiguro's novels respond to and represent the world through characters that are profoundly limited in their understanding of the systems that bind them.
This book examines the ways in which contemporary British and British postcolonial writers in the after-empire era draw connections between magic (defined here as Renaissance Hermetic philosophy) and science.
This book reconstructs the history of print and publishing in colonial Bengal by tracing the unexpected journey of Bharat Chandra's Bidyasundar, the first book published by a Bengali entrepreneur.
This book examines representations of violence across the postcolonial world-from the Americas to Australia-in novels, short stories, plays, and films.
Seamus Heaney, Tom Paulin and Medbh McGuckian are the three most influential poets from Northern Ireland who have composed poems with a link to the Tsarist Empire and the Soviet Union.
This book introduces the 'Southern criminology' movement; explores its theoretical, methodological, and philosophical tools; offers analytical accounts on the development of criminological thoughts in marginalised regions; and showcases the cutting edge of criminological research from Southern settings.
Phenomenology and the Late Twentieth-Century American Long Poem reads major figures including Charles Olson, Lyn Hejinian, Nathaniel Mackey, Susan Howe and Rachel Blau DuPlessis within a new approach to the long poem tradition.
These groundbreaking essays use critical theory to reflect on issues pertaining to modern Chinese literature and culture and, in the process, transform the definition and conceptualization of the field of modern Chinese studies itself.
This book understands digital cultural production of electronic literatures and digital art by looking at electronic and digital works that produce subjective positionality, clouded knowledges of quantum theories, and metaphysical patterns grounded in a cultural ideology.
Acheraiou challenges postcolonial discourse analysis and proposes a new model of interpretation that resituates the historical, ideological and conceptual denseness of the Colonial idea.
Few contemporary American writers have been subjected to as much laudatory abuse as Richard Brautigan who, having become famous in the 1960s, was made a cult figure for the hippy generation and was systematically refused recognition as a major novelist once the sentimental wave of the 'greening of America' had passed.
Originally published in 1949, Gilbert Highet's seminal The Classical Tradition is a herculean feat of comparative literature and a landmark publication in the history of classical reception.
Taking as its point of departure the complex question about whether Surrealist theatre exists, this book re-examines the much misunderstood artistic medium of theatre within Surrealism, especially when compared to poetry and painting.
Drawing on the insights offered by contemporary chaos theory, Narrative Form and Chaos Theory explores how models of turbulent dynamical systems in the physical world parallel structures in certain kinds of narratives.
Includes the plays The Wrong Side of the Park, Come as You Are and Edwin This second volume of Oberon's new edition of John Mortimer's Collected Plays contains two full-length works, The Wrong Side of the Park and Edwin, and four short plays known collectively as Come As You Are and individually named after parts of London.
This book centres and explores postcolonial theory, which looks at issues of power, economics, politics, religion and culture and how these elements work in relation to colonial supremacy.
This book explores Grahame's engagements with classical antiquity in The Wind in the Willows, including ancient epic, parody (Batrachomyomachia), and pastoral imagery.