Sensibility and Creation (1977) comprises a dozen critical studies by different contributors on a selection of major French poets of the twentieth century.
This book contains a selection of papers from the workshop Women in the History of Analytic Philosophy held in October 2019 in Tilburg, the Netherlands.
Visualizing Loss in Latin America engages with a varied corpus of textual, visual, and cultural material with specific intersections with the natural world, arguing that Latin American literary and cultural production goes beyond ecocriticism as a theoretical framework of analysis.
This book sheds a new light on the metafictional aspects of futuristic and science fiction novels, at the crossroads of information and media studies, possible worlds theories applied to cognitive narratology, questions related to the criticism of post-humanity, and, more broadly, contemporary French and Francophone literature.
The novelist and philosopher Iris Murdoch and the painter Harry Weinberger engaged in over twenty years of close friendship and intellectual discourse, centred on sustained discussion of the practice, teaching and morality of art.
In the context of a diversified and pluralistic arena of contemporary literature embodying previously marginalized voices of region, ethnicity, gender, and class, black poets living in Britain developed a distinct branch of contemporary poetry.
Hemingway and Ecocriticism focuses on the famous authors short stories from ecocritical perspectives, which are concerned with the relationship between humans and the landscape and plead for a better understanding of nature.
A fresh examination of Harper's body of work as an archive of Black life, thought, and cultureThe first book devoted to the groundbreaking poet's work, Understanding Michael S.
Contemporary Literature and the Body: a Critical Introduction introduces readers to key theorists and shifting critical trends in the field from 1940 to the present and examines these in relation to close readings of texts from a range of different genres.
Originally published in 1968, this book became the standard work on the colonial period in the vast and varied areas of the coast and hinterland of West Africa.
Following the material turn in the humanities, this book brings perspectives from science and ecology into dialogue with children's fiction written and published in the UK and the USA in the 21st century.
Originally published as a revised edition in 1967, this book covers an aspect of Senegalese history of great importance not only for the student of French Colonial policy but also for those interested in the development of nationalism in French-speaking Africa.
Originally published in 1971, this book is a study by 9 historians of West Africa, three of whom are themselves African, of the military response to the colonial occupation of West Africa.
In Love in a Dark Time, Colm Toibin looks at the life and work of some of the greatest and most influential artists of the nineteenth and twentieth centuries.
The contributions to this volume are devoted to Christian Kracht's aesthetics under two main aspects: On the one hand, with regard to sometimes irritatingly twisted actualizations of that self-reference and reservation which, since Kant, is to be evaluated as a central mode of the aesthetic; on the other hand, with regard to interferences with areas that are usually perceived as extra-aesthetic, but which can be evaluated as ferments of contemporary aesthetics: Stagings in the field of the literary establishment, the aesthetic under media and market conditions, and in the focus of canonization and criticism.
The contributions to this volume are devoted to Christian Kracht's aesthetics under two main aspects: On the one hand, with regard to sometimes irritatingly twisted actualizations of that self-reference and reservation which, since Kant, is to be evaluated as a central mode of the aesthetic; on the other hand, with regard to interferences with areas that are usually perceived as extra-aesthetic, but which can be evaluated as ferments of contemporary aesthetics: Stagings in the field of the literary establishment, the aesthetic under media and market conditions, and in the focus of canonization and criticism.
This book proposes that Ballard's novels extrapolate the formation of a posthuman subjectivity that is centred around an affirmative understanding of what a human body can do.
The World in a Grain of Sand offers a framework for reading literature from the global South that goes against the grain of dominant theories in cultural studies, especially, postcolonial theory.
Victorian Dress in Contemporary Historical Fiction is the first full-length study to investigate and attend to the deeply suggestive and highly symbolic iterations of Victorian women's dress in the contemporary cultural imagination.
Originally published as a revised edition in 1967, this book covers an aspect of Senegalese history of great importance not only for the student of French Colonial policy but also for those interested in the development of nationalism in French-speaking Africa.
This book proposes that Ballard's novels extrapolate the formation of a posthuman subjectivity that is centred around an affirmative understanding of what a human body can do.
Originally published in 1959, this book charts the journey made by the author and a Creole journalist from Sierra Leone across West Africa at a time when a political, economic and cultural revolution was taking place.
A comparative study of contemporary realist novels that employ totality as a method and a formal principle to represent the social and economic inequalities of the present, this book examines writing in English, Italian, Kannada, and Spanish by authors from Zimbabwe, Ghana, Italy, India and Mexico.
In this new volume of Kafka studies, which is addressed to both beginning readers of Kafka as well as Kafka scholars, Stanley Corngold discusses Kafka's work in a variety of novel perspectives, including Goethe's The Sufferings of Young Werther; Nietzsche's conception of aphoristic form; bureaucratic organization; accident and risk; the logic of possession and inheritance; and myth, among others.
Following the material turn in the humanities, this book brings perspectives from science and ecology into dialogue with children's fiction written and published in the UK and the USA in the 21st century.
In this new volume of Kafka studies, which is addressed to both beginning readers of Kafka as well as Kafka scholars, Stanley Corngold discusses Kafka's work in a variety of novel perspectives, including Goethe's The Sufferings of Young Werther; Nietzsche's conception of aphoristic form; bureaucratic organization; accident and risk; the logic of possession and inheritance; and myth, among others.
Originally published in 1968, this book became the standard work on the colonial period in the vast and varied areas of the coast and hinterland of West Africa.
