Der vorliegende Band widmet sich den balneomusikalischen Kommunikations- und Interaktionsraumen der Fruhen Neuzeit (1450-1750) und untersucht performative und reflexive Aspekte von Musik im Badekontext.
Edited and self-published by Bernadette Mayer and Vito Acconci from 1967 to 1969, 0 to 9 not only documented some of the most compelling examples of intermedia performance, contemporary poetry, and post-formalist art of the period, but also pioneered new ways of conceiving (and using) the magazine as medium and instrument.