In his latest book, John Russell Brown offers a new and revealing way of reading and studying Shakespeare's plays, focusing on what a play does for an audience, as well as what its text says.
Medieval and Renaissance Drama in England is an annual volume committed to the publication of essays and reviews related to English drama and theater history to 1642.
Medieval and Renaissance Drama in England is an annual volume committed to the publication of essays and reviews related to English drama and theater history to 1642.
Julius Caesar: A New Casebook provides students and academics with a selection of important essays by leading contemporary critics on Shakespeare's first "e;Globe"e; play.
This Handbook provides an introductory guide to Much Ado About Nothing offering a scene-by-scene theatrically aware commentary, contextual documents, a brief history of the text and first performances, case studies of key productions, a survey of film and TV adaptation, a wide sampling of critical opinion and further reading.
This book explores the school and district leadership lessons that can be gleaned from five of Shakespeare's most well-known and frequently taught plays: Romeo and Juliet, Macbeth, The Merchant of Venice, Julius Caesar and Hamlet.
Medieval and Renaissance Drama in England is an annual volume committed to the publication of essays and reviews related to English drama and theatre history to 1642.
This book explores the school and district leadership lessons that can be gleaned from five of Shakespeare's most well-known and frequently taught plays: Romeo and Juliet, Macbeth, The Merchant of Venice, Julius Caesar and Hamlet.
One of the blackest comedies ever written, Ben Jonson's Volpone is the masterpiece of a playwright all too frequently dismissed for being unnecessarily dark and academic.
Performing Shakespearean Appropriations explores the production and consumption of Shakespeare in acts of adaptation and appropriation across time periods and through a range of performance topics.
Matthew Woodcock provides a survey of the critical responses to this popular play, as well as the key debates and developments, from the seventeenth century to the present day.
This Handbook provides an introductory guide to Richard II offering a scene-by-scene theatrically aware commentary, contextual documents, a brief history of the text and first performances, case studies of three or four key performances and productions, a survey of film and TV adaptations, a wide sampling of critical opinion and further reading.
Shakespeare's presence in Joyce's work is tentacular, extending throughout his career on many different levels: cultural, structural, lexical, and psychological; yet a surprisingly long time has passed since the last monograph on this literary nexus was published.
Links early modern English drama and empire studies, exploring how staged scenes of maritime peril created a new form of economic uncertaintyImperial Ventures links early modern English drama and empire studies, exploring how staged scenes of maritime peril created a new form of economic uncertainty around the turn of the seventeenth century, amid London's explosion in commercial colonialism.
Award-winning British novelist Margaret Drabble is renowned for her fiction, stories that gave voice to the new woman of the 1960s and continue to illuminate the conflicting roles of women in the twenty-first century.
An introductory guide to Othello in performance offering a scene-by-scene theatrically aware commentary, contextual documents, a brief history of the text and first performances, case studies of key productions, a survey of screen adaptations, a sampling of critical opinion and further reading.
Double Shakespeares examines contemporary performances of Shakespeare plays that employ the "e;emotional realist"e; traditions of acting that were codified by Stanislavski over a century ago.
This new collection of essays on Richard Brinsley Sheridan brings the most important British playwright of the eighteenth century back to the forefront of literary and cultural studies of the era.
This book is an interdisciplinary collection of essays examining Goethe's Faust and its derivatives in European, North American, and South American cultural contexts.
This Handbook provides an introductory guide to The Winter's Tale offering a scene-by-scene theatrically aware commentary, contextual documents, a brief history of the text and first performances, case studies of key performances and productions, a survey of film and TV adaptation, a wide sampling of critical opinion and further reading.
Modernity, Community, and Place in Brian Friel's Drama shows how the leading Irish playwright explores a series of dynamic physical and intellectual environments, charting the impact of modernity on rural culture and on the imagined communities he strove to create between readers, and script, actors and audience.
With summaries, discussions, and excerpts from primary source documents, this book examines Shakespeare's world through careful consideration of the historical background of four of his comedies.
In 1928, Hilton Edwards and Micheal mac Liammoir founded the Dublin Gate Theatre, which quickly became renowned for producing stylistically and dramaturgically innovative plays in a uniquely avant-garde setting.
This introductory guide to one Shakespeare's most read and performed plays offers a scene-by-scene theatrically aware commentary, a brief history of the text and first performances, case studies of key performances and productions, a survey of film and TV adaptations, and a wide sampling of critical opinion and annotated further reading.
This analysis of primary documents allows readers to understand Shakespeare's tragedies within the context of historical issues of Renaissance England.
Based on solid research and clear explanations, this book provides a thorough and up-to-date analysis of 10 key facts and fictions regarding the life and works of William Shakespeare.
Marriage and Land Law in Shakespeare and Middleton examines the dynamics of early modern marriage-making, a time-honored practice that was evolving, often surreptitiously, from patriarchal control based on money and inheritance, to a companionate union in which love and the couple's own agency played a role.
Early Modern Drama in Performance is a collection of essays in honor of Lois Potter, the distinguished author of five monographs, including most recently The Life of William Shakespeare (2012), and numerous articles, edited collections, and editions.
Dealing mainly with the works of William Shakespeare, the essays in Close Readings without Readings reflect Stephen Booth's lifelong interest in uncovering the ways great literature works upon readers.