Literary studies: plays and playwrights

Thinking Through Place on the Early Modern English Stage argues that environment and embodied thought continually shaped one another in the performance of early modern English drama.

The Chorus of Drama in the Fourth Century BCE seeks to upend conventional thinking about the development of drama from the fifth to the fourth centuries and to provide a new way of talking and thinking about the choruses of drama after the deaths of Euripides and Sophocles.

The Chorus of Drama in the Fourth Century BCE seeks to upend conventional thinking about the development of drama from the fifth to the fourth centuries and to provide a new way of talking and thinking about the choruses of drama after the deaths of Euripides and Sophocles.

Ruin and Reformation in Spenser, Shakespeare, and Marvell explores writerly responses to the religious violence of the long reformation in England and Wales, spanning over a century of literature and history, from the establishment of the national church under Henry VIII (1534), to its disestablishment under Oliver Cromwell (1653).

Ruin and Reformation in Spenser, Shakespeare, and Marvell explores writerly responses to the religious violence of the long reformation in England and Wales, spanning over a century of literature and history, from the establishment of the national church under Henry VIII (1534), to its disestablishment under Oliver Cromwell (1653).

Oxford Textual Perspectives is a series of informative and provocative studies focused upon literary texts (conceived of in the broadest sense of that term) and the technologies, cultures, and communities that produce, inform, and receive them.

This book examines the child on Shakespeare's stage.

This book examines the child on Shakespeare's stage.

Shakespeare and Text is built on the research and experience of a leading expert on Shakespeare editing and textual studies.

Shakespeare and Text is built on the research and experience of a leading expert on Shakespeare editing and textual studies.

Astyanax is thrown from the walls of Troy; Medeia kills her children as an act of vengeance against her husband; Aias reflects with sorrow on his son's inheritance, yet kills himself and leaves Eurysakes vulnerable to his enemies.

Astyanax is thrown from the walls of Troy; Medeia kills her children as an act of vengeance against her husband; Aias reflects with sorrow on his son's inheritance, yet kills himself and leaves Eurysakes vulnerable to his enemies.

Throughout the nineteenth century, the performance of sacred drama on the English public stage was prohibited by law and custom left over from the Reformation: successive Examiners of Plays, under the control of the Lord Chamberlain's Office, censored and suppressed both devotional and blasphemous plays alike.

Throughout the nineteenth century, the performance of sacred drama on the English public stage was prohibited by law and custom left over from the Reformation: successive Examiners of Plays, under the control of the Lord Chamberlain's Office, censored and suppressed both devotional and blasphemous plays alike.

Stratford made the man, but London made the phenomenon that is Shakespeare.

God and the Gothic: Romance and Reality in the English Literary Tradition provides a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the monasteries, now seen as usurping authorities.

God and the Gothic: Romance and Reality in the English Literary Tradition provides a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the monasteries, now seen as usurping authorities.

The Masters of the Revels and Elizabeth I's Court Theatre places the Revels Office and Elizabeth I's court theatre in a pre-modern, patronage and gift-exchange driven-world of centralized power in which hospitality, liberality, and conspicuous display were fundamental aspects of social life.

In this volume, Kathleen Jeffs draws on first-hand experience of the Royal Shakespeare Company's rehearsal room for the 2004-05 Spanish Golden Age season to put forth a collaborative model for translating, rehearsing, and performing Spanish Golden Age drama.

In this volume, Kathleen Jeffs draws on first-hand experience of the Royal Shakespeare Company's rehearsal room for the 2004-05 Spanish Golden Age season to put forth a collaborative model for translating, rehearsing, and performing Spanish Golden Age drama.

Ancient tragedy has played a well-documented role in contemporary theatre since the mid-twentieth century.

Ancient tragedy has played a well-documented role in contemporary theatre since the mid-twentieth century.

Russia possesses one of the richest and most admired literatures of Europe, reaching back to the eleventh century.

Russia possesses one of the richest and most admired literatures of Europe, reaching back to the eleventh century.

Sor Juana Ines de la Cruz (1651-1695) was the most significant literary figure of the colonial period in Spanish America.

Sor Juana Ines de la Cruz (1651-1695) was the most significant literary figure of the colonial period in Spanish America.

The Parable of the Prodigal Son is one of the best-known stories in the Bible.

The Parable of the Prodigal Son is one of the best-known stories in the Bible.

Samuel Beckett and the Politics of Aftermath explores Beckett's literary responses to the political maelstroms of his formative and middle years: the Irish civil war and the crisis of commitment in 1930s Europe, the rise of fascism and the atrocities of World War II.

Samuel Beckett and the Politics of Aftermath explores Beckett's literary responses to the political maelstroms of his formative and middle years: the Irish civil war and the crisis of commitment in 1930s Europe, the rise of fascism and the atrocities of World War II.

This study explores the interrelationship between spatiality and subjecthood in the work of Stephane Mallarme, Guillaume Apollinaire, Maurice Maeterlinck, and Alfred Jarry.

This study explores the interrelationship between spatiality and subjecthood in the work of Stephane Mallarme, Guillaume Apollinaire, Maurice Maeterlinck, and Alfred Jarry.

Understanding the early-modern subject to be constituted, as Shakespeare's Ulysses explains, by its communications with others, this study considers what happens when these conceptions of compassionate communication and sympathetic exchange are comprehensively undermined by period anxieties concerning contagion and the transmission of disease.

Understanding the early-modern subject to be constituted, as Shakespeare's Ulysses explains, by its communications with others, this study considers what happens when these conceptions of compassionate communication and sympathetic exchange are comprehensively undermined by period anxieties concerning contagion and the transmission of disease.

'To die will be an awfully big adventure.

'To die will be an awfully big adventure.

Focusing on early modern plays which stage encounters between peoples of different cultures, this book asks how a sense of geographical location was created in early modern theatres that featured minimal scenery.

Focusing on early modern plays which stage encounters between peoples of different cultures, this book asks how a sense of geographical location was created in early modern theatres that featured minimal scenery.

Shakespeare and the Politics of Commoners is a highly original contribution to our understanding of Shakespeare's plays.

Shakespeare and the Politics of Commoners is a highly original contribution to our understanding of Shakespeare's plays.

Greek and Roman epic poetry has always provided creative artists in the modern world with a rich storehouse of themes.

Greek and Roman epic poetry has always provided creative artists in the modern world with a rich storehouse of themes.

The question of what happens after death was a vital one in Shakespeare's time, as it is today.

This companion volume to The New Oxford Shakespeare: The Complete Works concentrates on the issues of canon and chronology--currently the most active and controversial debates in the field of Shakespeare editing.

'That is my fear.

'That is my fear.

The thirty years Carlo Goldoni spent in Paris hold an ambiguous place in his career.

The thirty years Carlo Goldoni spent in Paris hold an ambiguous place in his career.

In thinking about Justice, we ignore Love to our peril.

In thinking about Justice, we ignore Love to our peril.