Crossing the boundaries of a single-author study, this book uncovers Flann O'Brien's attempt to forge a commercially successful Irish literary project from international avant-garde influences.
According to psychological research on acting, the histrionic personality consists of a compulsive tendency to play-act, exaggerate emotions, succumb to illusions, to seek attention through speech, body language, and costume, to be seductive and impulsive.
Der Krimiklassiker von Agatha Christie als Theaterstück von Ken LudwigAuf der Fahrt des Orientexpress von Istanbul nach Calais fällt ein amerikanischer Geschäftsmann einem brutalen wie mysteriösen Mord zum Opfer.
Following the first book on Henrik Ibsen's A Doll's House which examined the PLOT of the playand the CHARACTERS, this book examines the THEMES and ELEMENTS OF STYLE in the play.
This volume breaks new ground in the exploration of Anglo-Italian cultural relations: it presents analyses of a wide range of early modern Italian texts adapted into contemporary English culture, often through intermediary French translations.
No modern play in the western dramatic tradition has provoked as much controversy or generated as much diversity of opinion as Samuel Beckett's Waiting for Godot.
This six-volume anthology documents the history of women's drama throughout the 18th century, starting with the emergence in 1695-6 of the second generation of women dramatists to Aphra Benn.
Shakespeare and the Political: Elizabethan Politics and Asian Exigencies is a collection of essays which show how selected Shakespearean plays and later adaptations engage with the political situations of the Elizabethan period as well as contemporary Asian societies.
I'm not even properly Chinese I'm only half and half so that makes me feel all wrong and I just want to blend out and fit in and not stand out and with you I stand outWeStand OutThere's no safety in numbersSorryThe 'British Chinese'.
I'm not even properly Chinese I'm only half and half so that makes me feel all wrong and I just want to blend out and fit in and not stand out and with you I stand outWeStand OutThere's no safety in numbersSorryThe 'British Chinese'.
South Asian Disability and Deaf Theatres investigates translocal intimacies in relation to twenty-first-century transnational South Asian disability theatres in order to lay out new possibilities for accessible theatres.
