Keats is the first major biography of this tragic hero of romanticism for some thirty years, and it differs from its predecessors in important respects.
The title, The Government of the Tongue, carries suggestions of both monastic discipline and untrammelled romanticism, and is meant to raise an old question about the rights and status of poetic utterance itself.
Philip Larkin met Monica Jones at University College Leicester in autumn 1946, when they were both twenty-four; he was the newly-appointed assistant librarian and she was an English lecturer.
Hugo Williams's new collection summons the poet's past selves in order of appearance, as in an autobiography, showing in poems as clear as rock pools that the plain truth is only as plain as the props and make-up needed to stage it.
The Secret Life of Poems is a primer which offers a poem - or on occasion an excerpt - succeeding with commentary in which rhythm, form, metre and sources are the order of the day, not ethical commentary or descriptive paraphrase.
Andrew Motion's new collection (his first since Public Property in 2002) offers a ground-breaking variety of lyrics, love poems and elegies, in which private domains of feeling infer other lives and a shared humanity - exploring how people cope with threats to and in the world around them, as soldiers, lovers, artists, writers and citizens.
At the outset of his career Ted Hughes described letter writing as 'excellent training for conversation with the world', and he was to become a prolific master of this art.
Widely regarded as the finest poet of his generation, Seamus Heaney is the subject of numerous critical studies; but no book-length portrait has appeared until now.
A professional man of letters - critic, editor, biographer - though never a professional poet, Ian Hamilton (1938-2001) referred to his poems as 'miraculous lyrical arrivals', and he bided their time with exemplary patience and humility.
This is an imaginative exploration of the art of David Jones which addresses Christian teaching through engagement with selected artistic works: a poem, a painted inscription and a wood engraving.
This is an imaginative exploration of the art of David Jones which addresses Christian teaching through engagement with selected artistic works: a poem, a painted inscription and a wood engraving.
Before, during and after the preparation of Classical Hebrew Poetry: A Guide to its Techniques, Wilfred Watson published several articles on Hebrew poetry in a wide range of periodicals.
During the research for her biography of Francis Thompson, Between Heaven and Charing Cross it became clear to Brigid Boardman that a new edition of his poetry was essential for a full recognition of the range and variety of his work.
Mrs Nowottny's chief aim in this 'valuable book which could serve as a useful introduction to practical criticism' is to inquire what it is that makes the language of poetry poetic.
Fundamentals of the Art of Poetry takes the reader on a journey that sets out with a consideration of the various arts humankind has created, and then focuses on the special art of poetry: what poetry is, what it does and must do in order to 'succeed' for whom it does what it does, and, in detail, how it goes about doing what it tries to do.
This study provides a detailed account of the "e;Fables"e;, including humour, the representation of animals, the literary qualities and the "e;moraliste"e; core.
This book explores Roman love elegy from postcolonial perspectives, arguing that the tropes, conventions, and discourses of the Augustan genre serve to reinforce the imperial identity of its elite, metropolitan audience.
American Rendering showcases twenty-four new poems as well as a generous selection from Andrew Hudgins’s six previous volumes, spanning a distinguished career of more than twenty-five years.
The Deoband movementa revivalist movement within Sunni Islam that quickly spread from colonial India to Pakistan, Afghanistan, Bangladesh, and even the United Kingdom and South Africahas been poorly understood and sometimes feared.
Symposium of the Whole traces a discourse on poetry and culture that has profoundly influenced the art of our time, with precedents going back two centuries and more.
Philip Whalen was an American poet, Zen Buddhist, and key figure in the literary and artistic scene that unfolded in San Francisco in the 1950s and '60s.
This new critical volume, the second to appear in the three-volume Lectura Dantis, contains expert, focused commentary on the Purgatorio by thirty-three international scholars, each of whom presents to the nonspecialist reader one of the cantos of the transitional middle cantica of Dante's unique Christian epic.