The publication of the 44-volume Works of Daniel Defoe continues with this collection of Defoe's satirical poetry and fantasy writings, and writings on the supernatural.
Dryden: Selected Poems is drawn from Paul Hammond and David Hopkins's remarkable five-volume The Poems of John Dryden, and includes a generous selection of his most important work.
In this study, first published in 1983, Professor Smith makes the argument that although The Waste Land is analogous in form to a musical composition that it is actually made of its literary echoes.
Poet, Thomas Carper, and scholar, Derek Attridge, join forces in Meter and Meaning to present an illuminating and user-friendly way to explore the rhythms of poetry in English.
Lorca in English examines the evolution of translations of Federico Garcia Lorca into English as a case of rewriting and manipulation through politically and ideologically motivated translation.
Lorca in English examines the evolution of translations of Federico Garcia Lorca into English as a case of rewriting and manipulation through politically and ideologically motivated translation.
Modernist Literature and European Identity examines how European and non-European authors debated the idea of Europe in the first half of the twentieth century.
Modernist Literature and European Identity examines how European and non-European authors debated the idea of Europe in the first half of the twentieth century.
The book argues that there is no monolithic homosexuality; there are only homosexualities, that is, there are as many reasons for being gay as there are gays.
In the second decade of the nineteenth century, the British press began a campaign of critical abuse against Leigh Hunt, caricaturing the radical journalist as an upstart "e;Cockney"e; author whose literary talents were as disreputable as his politics.
The book argues that there is no monolithic homosexuality; there are only homosexualities, that is, there are as many reasons for being gay as there are gays.
This volume brings together new work on the image of the nation and the construction of national identity in English literature of the seventeenth century.
This volume brings together new work on the image of the nation and the construction of national identity in English literature of the seventeenth century.
Introducing Judeo-Persian writings, this original collection gives parallel samples in Judeo-Persian and Perso-Arabic script and translations in English.
In the second decade of the nineteenth century, the British press began a campaign of critical abuse against Leigh Hunt, caricaturing the radical journalist as an upstart "e;Cockney"e; author whose literary talents were as disreputable as his politics.
Exploring the rhetorical and phenomenological links between shame and reticence, this book examines the psychology of Shelley's anguished poet-Subject.
Poetry and Psychoanalysis: The Opening of the Field provides a guide to applying a poet's imagination and precision of language to the healing endeavours of psychoanalysis while making a lucid journey through 2,000 years of transformative poetry from Virgil, Dante and Blake to the contemporary poet Claudia Rankine.
Exploring the rhetorical and phenomenological links between shame and reticence, this book examines the psychology of Shelley's anguished poet-Subject.
Poetry and Psychoanalysis: The Opening of the Field provides a guide to applying a poet's imagination and precision of language to the healing endeavours of psychoanalysis while making a lucid journey through 2,000 years of transformative poetry from Virgil, Dante and Blake to the contemporary poet Claudia Rankine.
Engaging with Elizabethan understandings of masculinity, this book examines representations of manhood during the short-lived vogue for verse satire in the 1590s, by poets like John Donne, John Marston, Everard Guilpin and Joseph Hall.
Engaging with Elizabethan understandings of masculinity, this book examines representations of manhood during the short-lived vogue for verse satire in the 1590s, by poets like John Donne, John Marston, Everard Guilpin and Joseph Hall.
Romantic Metasubjectivity Through Schelling and Jung: Rethinking the Romantic Subject explores the remarkable intellectual isomorphism between the philosophy of Friedrich Schelling and Carl Jung's analytical psychology in order to offer a crucial and original corrective to the "e;reflection theory"e; of subjectivity.
Romantic Metasubjectivity Through Schelling and Jung: Rethinking the Romantic Subject explores the remarkable intellectual isomorphism between the philosophy of Friedrich Schelling and Carl Jung's analytical psychology in order to offer a crucial and original corrective to the "e;reflection theory"e; of subjectivity.
Through specific and rigorous analysis of contemporary literary texts, this book shows how writers from inside affected communities portray indigeneity, displacement, and trauma.
Charles Simic and the Poetics of Uncertainty provides the first full account of the poetics of the former US Poet Laureate, who is one of the most popular and critically acclaimed English-language poets writing today.
Charles Simic and the Poetics of Uncertainty provides the first full account of the poetics of the former US Poet Laureate, who is one of the most popular and critically acclaimed English-language poets writing today.
Originally published in 1949, this title was written in order to help establish a better understanding of the 'stock diction' of eighteenth-century English poetry, and, in particular, of the diction commonly used in the description of nature.
Originally published in 1949, this title was written in order to help establish a better understanding of the 'stock diction' of eighteenth-century English poetry, and, in particular, of the diction commonly used in the description of nature.
Interest in Martin Heidegger was recently reawakened by the revelations, in his newly published 'Black Notebooks', of the full terrible extent of his political commitments in the 1930s and 1940s.
Interest in Martin Heidegger was recently reawakened by the revelations, in his newly published 'Black Notebooks', of the full terrible extent of his political commitments in the 1930s and 1940s.
Since its publication nearly eight decades ago, the consensus among scholars about Fabula de Equis y Zeda, by the Spanish poet Gerardo Diego (1896-1987) remains unchanged: Fabula is an enigmatic avant-garde curiosity.
