Literary studies: poetry and poets

The Printed Voice of Victorian Poetry starts from a simple fact: our written language does not represent the way we speak.

This volume takes as its focus an oft-neglected work of ancient philosophy: Aristotle's lost Homeric Problems.

This volume takes as its focus an oft-neglected work of ancient philosophy: Aristotle's lost Homeric Problems.

Through attuned close readings, this volume brings out the imaginative and formal brilliance of Percy Bysshe Shelley's writing as it explores his involvement in processes of dialogue and influence.

Through attuned close readings, this volume brings out the imaginative and formal brilliance of Percy Bysshe Shelley's writing as it explores his involvement in processes of dialogue and influence.

In Whitman, Melville, Crane, and the Labors of American Poetry, Peter Riley confronts our enduring and problematic investment in poetic vocation--a myth, he argues, that continues to inform how all our multifarious labors are understood, valued, and exploited.

In Whitman, Melville, Crane, and the Labors of American Poetry, Peter Riley confronts our enduring and problematic investment in poetic vocation--a myth, he argues, that continues to inform how all our multifarious labors are understood, valued, and exploited.

When poetry was printed, poets and their publishers could no longer take for granted that readers would have the necessary knowledge and skill to read it well.

When poetry was printed, poets and their publishers could no longer take for granted that readers would have the necessary knowledge and skill to read it well.

What does it mean to feel time, to sense its passing along the sinews and nerves of the body as much as the synapses of the mind?

What does it mean to feel time, to sense its passing along the sinews and nerves of the body as much as the synapses of the mind?

Greek epigram is a remarkable poetic form.

Greek epigram is a remarkable poetic form.

Written texts of the Iliad and the Odyssey achieved an unprecedented degree of standardization after 150 BCE, but what about Homeric texts prior to the emergence of standardized written texts?

Written texts of the Iliad and the Odyssey achieved an unprecedented degree of standardization after 150 BCE, but what about Homeric texts prior to the emergence of standardized written texts?

Impossible Desire and the Limits of Knowledge in Renaissance Poetry examines the limits of embodiment, knowledge, and representation at a disregarded nexus: the erotic carpe diem poem in early modern England.

Impossible Desire and the Limits of Knowledge in Renaissance Poetry examines the limits of embodiment, knowledge, and representation at a disregarded nexus: the erotic carpe diem poem in early modern England.

Fulke Greville's reputation has always been overshadowed by that of his more famous friend, Philip Sidney, a legacy due in part to Greville's complex moulding of his authorial persona as Achates to Sidney's Aeneas, and in part to the formidable complexity of his poetry and prose.

This book, based on the Clarendon Lectures for 2016, is about the use made by poets and novelists of street songs and cries.

Was the experience of poetry--or a cultural practice we now call poetry--continuously available across the two-and-a-half millennia from the composition of the Homeric epics to the publication of Ben Jonson's Works and the death of Shakespeare in 1616?

Was the experience of poetry--or a cultural practice we now call poetry--continuously available across the two-and-a-half millennia from the composition of the Homeric epics to the publication of Ben Jonson's Works and the death of Shakespeare in 1616?

This is a book about readers: readers reading, and readers writing.

This is a book about readers: readers reading, and readers writing.

The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science but also that combines these subjects productively.

The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science but also that combines these subjects productively.

This volume offers a reappraisal of Wordsworth's and Coleridge's radical careers before their emergence as major poets.

This volume offers a reappraisal of Wordsworth's and Coleridge's radical careers before their emergence as major poets.

Sappho, a towering figure in Western culture, is an exemplary case in the history of classical receptions.

Sappho, a towering figure in Western culture, is an exemplary case in the history of classical receptions.

Guillaume de Saluste Du Bartas was the most popular and widely-imitated poet in sixteenth- and seventeenth-century England and Scotland.

Guillaume de Saluste Du Bartas was the most popular and widely-imitated poet in sixteenth- and seventeenth-century England and Scotland.

Elizabeth Jennings was one of the most popular, prolific, and widely anthologized lyric poets in the second half of the twentieth century.

Exorbitant Enlightenment compels us to see eighteenth- and early nineteenth-century literature and culture in new ways.

Exorbitant Enlightenment compels us to see eighteenth- and early nineteenth-century literature and culture in new ways.

Bodies abound in Rimbaud's poetry in a way that is nearly unprecedented in the nineteenth-century poetic canon: lazy, creative, rule-breaking bodies, queer bodies, marginalized and impoverished bodies, revolting and revolutionary, historical bodies.

Bodies abound in Rimbaud's poetry in a way that is nearly unprecedented in the nineteenth-century poetic canon: lazy, creative, rule-breaking bodies, queer bodies, marginalized and impoverished bodies, revolting and revolutionary, historical bodies.

Tombs of the Ancient Poets explores the ways in which the tombs of the ancient poets - real or imagined - act as crucial sites for the reception of Greek and Latin poetry.

Tombs of the Ancient Poets explores the ways in which the tombs of the ancient poets - real or imagined - act as crucial sites for the reception of Greek and Latin poetry.

Women in Greek epic are treated as objects, as commodities to be exchanged in marriage or as the spoils of warfare.

Women in Greek epic are treated as objects, as commodities to be exchanged in marriage or as the spoils of warfare.

Sacrifice and Modern War Literature is the first book to explore how writers from the early nineteenth century to the present have addressed the intimacy of sacrifice and war.

Fossil Poetry provides the first book-length overview of the place of Anglo-Saxon in nineteenth-century poetry in English.

Fossil Poetry provides the first book-length overview of the place of Anglo-Saxon in nineteenth-century poetry in English.

God and the Gothic: Romance and Reality in the English Literary Tradition provides a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the monasteries, now seen as usurping authorities.

God and the Gothic: Romance and Reality in the English Literary Tradition provides a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the monasteries, now seen as usurping authorities.

The Oxford Handbook of Dante contains forty-four specially written chapters that provide a thorough and creative reading of Dante's oeuvre.

The Oxford Handbook of Dante contains forty-four specially written chapters that provide a thorough and creative reading of Dante's oeuvre.

In this second edition of William Wordsworth: A Life, Stephen Gill draws on knowledge of the poet's creative practices and his reputation and influence in his life-time and beyond.

Imagining the Woman Reader in the Age of Dante brings to light a new character in medieval literature: that of the woman reader and interlocutor.

Imagining the Woman Reader in the Age of Dante brings to light a new character in medieval literature: that of the woman reader and interlocutor.