An exploration of the relationship between literature and religion, which adopts an interdisciplinary approach, aiming to provide an introduction to the variety of ways in which literature, literary theory and theology are related.
In the winter of 1798-99, shut up in the freezing German town of Goslar, William Wordsworth began producing a series of lyrical fragments that appeared first in letters written to Coleridge and emerged eventually as source texts for The Prelude .
The world of Macbeth, with its absolutes of good and evil, seems very remote from the shifting perspectives of Antony and Cleopatra, or the psychological and political realities of Coriolanus.
Contemporary Poetry and Postmodernism explores the fraught relationship between the poetry of the mainstream and kinds of modernist poetry that have had to make their way outside it.
Drawing on a series of new sources, this biography of Ezra Pound - the first to appear in more than a decade - outlines his contribution to modernism through a detailed account of his development, influence and continued significance.
Renaissance Configurations is a ground-breaking collection of essays on the structures and strategies of Early Modern culture - as embodied in issues of gender, sexuality and politics - by a group of critics from the new generation of Early Modern specialists.
Salvaging Spenser is a major new work of literary revision which places Edmund Spenser's corpus, from The Shepheardes Calender to A View of the Present State of Ireland, within an elaborate cultural and political context.
Challenging our understanding of ideas about psychology in Shakespeare's time, Shakespeare's Imagined Persons proposes we should view his characters as imagined persons.
This Hopkins chronology describes the poet's family and early education, then gives a day-by-day account of what he was doing, reading and writing, and the people he met.
Grounded in historical sources and informed by recent work in cultural, sociological, geographical and spatial studies, Romantic Geography illuminates the nexus between imaginative literature and geography in William Wordsworth's poetry and prose.
In this chronology Gordon Campbell brings his unique command of manuscripts associated with John Milton to the first synthesis of the Milton documents attempted in forty years.
Matthew Arnold, the foremost Victorian 'man of letters', forged a unique literary career, first as an important post-Romantic poet and then as a prose writer who profoundly influenced the formation of modern literary and cultural studies.
This collection of essays traces the emergence of the Western poem from the standpoint of its collision with "e;American"e; otherness, particularly, the Latin American tradition.
Siegfried Sassoon: Scorched Glory is the first survey of the poet's published work since his death and the first to draw on the edited diaries and letters.
Gary Waller surveys Spenser's career in terms of the material conditions of its production - the often overlooked material factors of race, gender, class, agency - and the resonant 'places' which influenced his career - court, church, nation, colony.
Marriage features to a greater or lesser extent in virtually every play Shakespeare wrote - as the festive end of comedy, as the link across the cycles of the history plays, as a marker of the difference between his own society and that depicted in the Roman plays, and, all too often, as the starting-point for the tragedies.
A detailed chronological account of the life of Samuel Taylor Coleridge built up from contemporary documents including the letters and journals of the writer and of his family and friends.
This book examines the male Romantics' versions of poetic authority in theory and practice in the context of their involvement in the political debates of Regency Britain and argues that their response to Burke's gendered discourse about power effected radical changes in the definitions of masculinity and femininity.
Statutes of Liberty (1993) was the first book on The New York School of Poets, and offers the definitive critical account of its key figures: John Ashbery, Frank O'Hara and James Schuyler.
Focusing on England, Hungary and on some other European countries, the book explores the latent religious patterns in the appropriation of Shakespeare from the 1769 Stratford Jubilee to the tercentenary of Shakespeare's birth in 1864.