Examining films about writers and acts of writing, The Writer on Film brilliantly refreshes some of the well-worn 'adaptation' debates by inviting film and literature to engage with each other trenchantly and anew - through acts of explicit configuration not adaptation.
This book illustrates how Korean American novels and poetry use anger to enact change, foregrounding the various ways it can pinpoint injustice and suggest alternatives.
Crossing the boundaries between literature, philosophy and theology, Shakespeare and the Grace of Words pioneers a reading strategy that approaches language as grounded in praise; that is, as affirmation and articulation of the goodness of Being.
This volume looks at Marx and Freud, who, though not 'Shakespeareans' in the usual academic or theatrical sense, were both deeply informed by Shakespeare's writings, and have both had enormous influence on the understanding and reception of Shakespeare.
Michael Andindilile in The Anglophone Literary,Linguistic Continuum: English and Indigenous Languages in African Literary Discourse interrogates Obi Wali,s (1963) prophecy that continued use of former colonial languages in the production of African literature could only lead to ,sterility,, as African literatures can only be written in indigenous African languages.
This book explores the body and the production process of popular culture in, and on, the Middle East and North Africa, Turkey, and Iran in the first decade of the 21st century, and up to the current historical moment.
Uses recent thought in continental philosophy and postmodern theology to interpret hidden and contradictory 'god-ideas' in texts of modernism such as Henry James's The Golden Bowl , Marcel Proust's In Search of Lost Time , James Joyce's Portrait of the Artist As a Young Man , and Arnold Schoenberg's opera Moses und Aron .
This book provides provocative information on poetry written in response to the most revolutionary set of events seen in Britain since the 1640s: 'Peterloo', a peaceful protest that became a massacre; 'Cato Street', a government scripted rebellion; and the 'Queen Caroline Controversy', when the estranged wife of George IV tried to claim her crown.
Originally published in 1970, John Lydgate sets out to restore a sense of perspective to the work of Lydgate, not by attributing a spurious modernity as a precursor of the Renaissance, but by accepting the fact that he is fundamentally medieval.
Ließ Brechts zum Diktum gewordenes Versfragment «Gespräch über Bäume» die Naturlyrik zum fragwürdigen Genre werden, so rief es gleichwohl bald Widerspruch hervor, nicht nur in Paul Celans lyrischer Replik «Ein Blatt, baumlos» und den ebenfalls auf Brecht antwortenden Gedichten Erich Frieds und Günter Eichs, sondern auch in der engagierten ökokritischen Dichtung seit den 1970er Jahren.
What happens if we read nineteenth-century and Victorian texts not for the autonomous liberal subject, but for singularity-for what is partial, contingent, and in relation, rather than what is merely "e;alone"e;?
This book uses a historical and theoretical focus to examine the key of issues of the Enlightenment, Orientalism, concepts of identity and difference, and the contours of different modernities in relation to both local and global shaping forces, including the spread of capitalism.
Effeminate Years: Literature, Politics, and Aesthetics in Mid-Eighteenth-Century Britain investigates the gendered, eroticized, and xenophobic ways in which the controversies in the 1760s surrounding the political figure John Wilkes (1725-97) legitimated some men as political subjects, while forcefully excluding others on the basis of their perceived effeminacy or foreignness.
Using Vladimir Nabokov and Salman Rushdie's work, this study argues that transnational fiction refuses the simple oppositions of postcolonial theory and suggests the possibility of an inclusive global literature.
Byronism, Napoleonism and Nineteenth-Century Realism offers a fresh analysis of the nineteenth-century European novel, exploring the cultural images of Byron and Napoleon as they appear in the construction of 'bourgeois heroism.
The Child That Haunts Us focuses on the symbolic use of the child archetype through the exploration of miniature characters from the realms of children's literature.
Animal Visions considers how literature responds to the harms of anthropocentricism, working with Emily Bronte's Wuthering Heights (1847) and various adaptations of this canonistic novel to show how posthumanist dream writing unsettles the privileging of the human species over other species.
Contemporary theory is replete with metaphors of travel-displacement, diaspora, borders, exile, migration, nomadism, homelessness, and tourism to name a few.
Vibratory Modernism is a collection of original essays that show how vibrations provide a means of bridging science and art - two fields that became increasingly separate in the nineteenth and early twentieth centuries.
Drawing together 18 contributions from leading international scholars, this book conceptualizes the history and theory of cinema's century-long relationship to modes of exploration in its many forms, from colonialist expeditions to decolonial radical cinemas to the perceptual voyage of the senses made possible by the cinematic apparatus.
Does the choice of a particular theory alter the practice of reading In this collection of essays by seven outstanding American scholars, interests as diverse as feminism, Marxism, deconstruction, and cultural poetics are brought together around a central question: how does the choice of a particular theory alter the practice of reading and do altered practices of reading in turn call forth more theory?
