The Poverty of Structuralism is the first in a sequence of volumes which examine in turn the basic ideas of Saussure, Marx and Freud, and analyse the way in which they have been developed and applied to art, culture and modern textual theory.
This book focuses on the cinema of the 1950s in India and analyzes the work of seven filmmakers from mainstream Hindi cinema and how they responded to the independent Indian nation after 1947.
Alicia Borinsky argues that the contemporary Latin American novel does not just ingeniously dismantle the referential claims of the more traditional novel; it offers a postmodern version of the lessons taught by fiction.
Michael Andindilile in The Anglophone Literary,Linguistic Continuum: English and Indigenous Languages in African Literary Discourse interrogates Obi Wali,s (1963) prophecy that continued use of former colonial languages in the production of African literature could only lead to ,sterility,, as African literatures can only be written in indigenous African languages.
While many of Freud's original formulations have required either revision or rejection and replacement with newer models, his cultural books, such as Civilization and Its Discontents and Totem and Taboo, though extremely influential in the early part of the 20th century, have more recently been either neglected or else dismissed as long-outdated fantasies.
Over the past decade 'singularity' has been a prominent term in a broad range of fields, ranging from philosophy to literary and cultural studies to science and technology studies.
In This Is Not a Copy, Kaja Marczewska identifies a characteristic 'copy-paste' tendency in contemporary culture-a shift in attitude that allows reproduction and plagiarizing to become a norm in cultural production.
Isobel Hurst examines the role of women writers in the Victorian reception of ancient Greece and Rome, showing that they had a greater imaginative engagement with classical literature than has previously been acknowledged.
The contributors to Territories and Trajectories propose a model of cultural production and transmission based on the global diffusion, circulation, and exchange of people, things, and ideas across time and space.
Futurist Women broadens current debates on Futurism and literary studies by demonstrating the expanding global impact of women Futurist artists and writers in the period succeeding the First World War.
For Kristeva, in a world immersed in readymade images, art or aesthetic experience is a practice that constitutes both a subject (a sense of self) and an object that is able to transform meaning and consciousness.
Children of Globalization is the first book-length exploration of contemporary Diasporic Coming-of-age Novels in the context of globalized and de facto multicultural societies.
Catholic or Protestant, recusant or godly rebel, early modern women reinvented their spiritual and gendered spaces during the reformations in religion in England during the sixteenth century and beyond.
In studies of gender and sexuality in popular music, the concept of difference is often a crucial analytic used to detect social agency; however, the alternative analytic of ambiguity has never been systematically examined.
Autobiography is a long-established literary modality of self-exposure with commanding works such as Augustine's Confessions, Rousseau's book of the same title, and Salvador Dali's paradoxical reformulation of that title in his Unspeakable Confessions.
This book explores the gendered contexts of the Indian nation through a rigorous analysis of selected women's fiction ranging from diverse linguistic, geographical, caste, class, and regional contexts.
This book, first published in 1962, is a collection of twenty-four essays written by Frank Kermode between 1958 and early 1961, and are all concerned with criticism and fiction.