Representing a shift in Carter studies for the 21st century, this book critically explores her legacy and showcases the current state of Angela Carter scholarship.
This volume oversees the fluctuating, but close relationship of motherhood studies, maternal theory, and feminism in Marina Warner's fiction and short stories.
Women's Lives into Print provides a remarkable collection of essays by feminist scholars and writers who focus on the theory, practice and writing of women's auto/biographies.
This book understands digital cultural production of electronic literatures and digital art by looking at electronic and digital works that produce subjective positionality, clouded knowledges of quantum theories, and metaphysical patterns grounded in a cultural ideology.
This book is envisaged as an intervention in the ongoing explorations in social and cultural history, into questions of what constitutes Indianness for the colonial and the postcolonial subject and the role that Shakespeare plays in this identity formation.
Exemplary Spenser analyses the didactic poetics of The Faerie Queene, renewing attention to its avowed attempt to "e;fashion a gentleman or noble person in vertuous and gentle discipline"e; and examining how Spenser mobilises his pedagogic concerns through the reading experience of the poem.
Publishing for children between 1930 and 1960 has been denigrated as a relatively fallow period for creativity and quality, certainly in comparison with the 'golden ages' of children's literature that preceded and succeeded it.
Clearly focussed on the needs of students, Robert Eaglestone and Jonathan Beecher Field have revised the best-selling Doing English specifically for English literature courses in America.
Hart Crane's Queer Modernist Aesthetic argues that the aspects of experience which modernists sought to interrogate - time, space, and material things - were challenged further by Crane's queer poetics.
The end of the Soviet period, the vast expansion in the power and influence of capital, and recent developments in social and aesthetic theory, have made the work of Hungarian Marxist philosopher and social critic Georg Lukács more vital than ever.
As a study of color in the Victorian novel, this volume notices and analyzes a peculiar literary phenomenon in which Victorian authors who were also trained as artists dream up fantastically colored characters for their fiction.
This is the first systematic study of language conflict in a developing society and of its consequences for the integrational processes of nation building.
This catalogue of the Shakespeare First Folio (1623) is the result of two decades of research during which 232 surviving copies of this immeasurably important book were located a remarkable 72 more than were recorded in the previous census over a century ago and examined in situ, creating an essential reference work.
On the leading edge of trauma and archival studies, this timely book engages with the recent growth in visual projects that respond to the archive, focusing in particular on installation art.
This hugely popular A-Z guide provides a comprehensive overview of the issues which characterize post-colonialism: explaining what it is, where it is encountered and the crucial part it plays in debates about race, gender, politics, language and identity.
This book is a personal narrative chronicling the life and experiences of Shireen Hunter, an Iranian woman who came of age during a transformative era in Iran's history.
Using Phillipe Lacoue-Labarthe and Jean-Luc Nancy's groundbreaking study of the persistence of German Idealist philosophy as his starting point, Justin Clemens presents a valuable study of the links between Romanticism and contemporary theory.
This volume is a critical reader, focusing on the continuities and discontinuities, confirmations and confrontations, crossovers and collisions, appropriations, adaptations and assimilations in the cultural transitions between British and Bangla vernacular modernist fiction within the context of the imperial modernity of the first half of the 20th century.
Narrating Human Rights in Africa claims human rights from the perspective of artists from the African continent and situates the key theoretical concepts in African perspectives, undercutting the stereotypes of victimhood and voicelessness.
Bodies abound in Rimbaud's poetry in a way that is nearly unprecedented in the nineteenth-century poetic canon: lazy, creative, rule-breaking bodies, queer bodies, marginalized and impoverished bodies, revolting and revolutionary, historical bodies.
Publishing for children between 1930 and 1960 has been denigrated as a relatively fallow period for creativity and quality, certainly in comparison with the 'golden ages' of children's literature that preceded and succeeded it.