Oxford Textual Perspectives is a new series of informative and provocative studies focused upon literary texts (conceived of in the broadest sense of that term) and the technologies, cultures and communities that produce, inform, and receive them.
The new edition of this bestselling literary theory anthology has been thoroughly updated to include influential texts from innovative new areas, including disability studies, eco-criticism, and ethics.
The Creative Writing Compass presents a dynamic navigational instrument for creative writers and those learning to be creative writers, providing a method for developing and advancing knowledge of creative writing.
Given a long history of representation by others, what themes and techniques do Arab Muslim women writers, filmmakers and visual artists foreground in their presentation of postcolonial experience?
This introductory volume provides an overview of the history of Literature as a cultural concept, and reflects on the contemporary nature, place and function of what the literary might mean for us today.
The pictorial turn in the humanities and social sciences has foregrounded the political power of images and the extent to which historical, political, social, and cultural processes and practices are shaped visually.
The study of the Arthurian legend in the 1600s has revealed almost no romance; the stories are more about the truth of Arthur's existence and his exploits, with influence due to political bearing of the royalty versus parliament at the time.
Abjection and Representation is a theoretical investigation of the concept of abjection as expounded by Julia Kristeva in Powers of Horror (1982) and its application in various fields including the visual arts, film and literature.
Alison Holland's innovative book fills a gap in Beauvoir studies by focusing on the writer's frequently neglected novels and short stories, L'Invitee, Les Mandarins, Les Belles Images, and La Femme rompue.
Examining contested notions of indigeneity, and the positioning of the Indigenous subject before and beyond the law, this book focuses upon the animation of indigeneities within textual imaginaries, both literary and juridical.
Printed Drama and Political Instability in Mid-Seventeenth-Century Britain: The Literary Politics of Resistance and Distraction in Plays and Entertainments, 1649-1658 describes the function of printed drama in 1650s Britain.
The traditional view that the rise of Western theoretical thought in the 1960s and 1970s could be traced back to the Soviet 1920s, once accepted in Russia and the West alike because it directly associated the academic prestige of contemporary Western theory with the intellectual climate of post-revolutionary Russia, is increasingly challenged today.
First published in 1974, New Directions in Literary History is a comprehensive attempt to present approaches to literary studies that have developed from phenomenology, stylistics and linguistics, Marxist reconsiderations of literature, interdisciplinary studies and analysis of reader response.
Traveling Bodies: Interdisciplinary Perspectives on Traveling as an Embodied Practice explores the central role the body has in and for traveling and thus complements and expands upon existing research in travel studies with new perspectives on and insights in the entanglement of bodies and traveling.
Drawing upon the English literary tradition for new perspectives and paradigms, this collection presents a broad range of theoretical and historical approaches to ecocriticism.
The term 'science fiction' has an established common usage, but close examination reveals that writers, fans, editors, scholars, and publishers often use this word in different ways for different reasons.
This collection of essays explores the hotel as a site of modernity, a space of mobility and transience that shaped the transnational and transcultural modernist activity of the first half of the twentieth century.
Juli Zeh verbindet zwei öffentliche Rollen: Sie ist Schriftstellerin und Juristin; sie trägt maßgeblich zur deutschsprachigen Gegenwartsliteratur bei, nimmt aber auch aktiv als ‚public intellectual‘ an öffentlichen Debatten teil.
Tracing connections between Gary Snyder and his Romantic and Transcendentalist predecessors - Wordsworth, Blake, Emerson, Whitman, and Thoreau - this study explores the tension between urbanization and overindustrialization.
In The Value of Literature, Rafe McGregor employs a unique approach - the combination of philosophical work on value theory and critical work on the relationship between form and content - to present a new argument for, and defence of, literary humanism.