The dramatic monologue is traditionally associated with Victorian poets such as Robert Browning and Alfred Tennyson, and is generally considered to have disappeared with the onset of modernism in the twentieth century.
This cutting-edge collection of essays showcases the work of some of the most influential theorists of the past thirty years as they grapple with the question of how literature should be treated in contemporary theory.
On a slow autumn afternoon, an atmospheric physicist working at the Malta Weather Station receives a surprising email from a colleague working in the United Kingdom: something troubling has apparently been detected during one of their research flights.
The first detailed study on the subject of Victorian unfinished novels, this book sheds further light on novels by major authors that have been neglected by critical studies and focuses in a new way on critically acclaimed masterpieces, offering a counter-reading of the nineteenth-century literary canon.
This book examines the ways in which contemporary British and British postcolonial writers in the after-empire era draw connections between magic (defined here as Renaissance Hermetic philosophy) and science.
The essays in this collection explore the concept of 'transubstantiation', its adaptations and transformations in English and European culture from the Elizabethans to the twentieth century.
Narratives of Mediterranean Space: Literature and Art across Land and Sea presents a comparative analysis of contemporary literary and visual narratives of movement and migration produced in Italian, Arabic and French.
This volume forms part of the Critical Discourses in South Asia series, which deals with schools, movements, and discursive practices in major South Asian languages.
This study explores a new understanding of modernism and ethnicity as put forward in the transnational and diasporic writings of Anzia Yezierska, Zora Neale Hurston, and Jean Rhys.
Thinking in Search of a Language explores American literary and philosophical traditions, and their intimate connections, by focusing on two defining strands in the intellectual history of the United States.
"e;At last, a scrupulous and sustained--'earsighted'--study of that shadowy yet vital intersection of sound and sense without which literary reading remains a disembodied exercise.
From William Shakespeare to Marilynne Robinson, this book examines representations of interpersonal reconciliation in works of literature, focusing on how these representations draw on the language of divine forgiveness.
Play Up and Play the Game (1973) examines the type of fictional hero most embodied in the work and character, poetry and philosophy of Sir Henry Newbolt.
Jean-Michel Rabate uses Nietzsche's image of a "e;pathos of distance,"e; the notion that values are created by a few gifted and lofty individuals, as the basis for a wide-ranging investigation into the ethics of the moderns.
Haunted Selves, Haunting Places in English Literature and Culture offers a series of readings of poetry, the novel and other forms of art and cultural expression, to explore the relationship between subject and landscape, self and place.
Unique in combining a comprehensive and comparative study of genre with a study of romance, this book constitutes a significant contribution to ongoing critical debates over the definition of romance and the genre and artistry of Malory's Morte Darthur.
Paul de Man - literary critic, literary philosopher, "e;American deconstructionist"e; - changed the landscape of criticism through his rigorous theories and writings.
Architectural relics of nineteenth and twentieth-century colonialism dot cityscapes throughout our globalizing world, just as built traces of colonialism remain embedded within the urban fabric of many European capitals.
William Empson was one of the most important poet-critics of the twentieth century, and continues to influence and inspire writers from many divergent critical traditions.
In this collection, Marshall Brown has gathered essays by twenty leading literary scholars and critics to appraise the current state of literary history.