The Coloniality of Catastrophe in Caribbean Theater and Performance calls attention to theater’s capacity to reveal the constructed roots of catastrophe and offer counter catastrophic strategies to live and imagine otherwise.
The Coloniality of Catastrophe in Caribbean Theater and Performance calls attention to theater’s capacity to reveal the constructed roots of catastrophe and offer counter catastrophic strategies to live and imagine otherwise.
This edited collection traces the evolution of writing, retelling, and critically reading children's and young adult tales over decades of cultural, social, and technological changes.
Narrative, Digitality, Well-Being Narrative, Digitality, Wellbeing adopts a transdisciplinary approach in exploring new forms of narrative that have emerged in a digital age, an age of new online practices that are both associated with increased risk and enhanced sense of identity.
This book provides interdisciplinary perspectives on the work of the Japanese writer Haruki Murakami, with a particular focus on the conceptual material of his work.
Narrative, Digitality, Well-Being Narrative, Digitality, Wellbeing adopts a transdisciplinary approach in exploring new forms of narrative that have emerged in a digital age, an age of new online practices that are both associated with increased risk and enhanced sense of identity.
This book, Mexican Waves: Cinema, Television, Transmedia, explores the dynamic landscape of contemporary Mexican audiovisual storytelling, offering an in-depth examination of the works of influential filmmakers, television creators, and transmedia artists.
This book, Mexican Waves: Cinema, Television, Transmedia, explores the dynamic landscape of contemporary Mexican audiovisual storytelling, offering an in-depth examination of the works of influential filmmakers, television creators, and transmedia artists.
In this book, Lou Agosta explains, using literary examples, that readers require radical empathy to relate to, process, and overcome bad things happening to good people (for example: moral and physical trauma, double binds, soul murder, and behavior in extreme situations.
In this book, Lou Agosta explains, using literary examples, that readers require radical empathy to relate to, process, and overcome bad things happening to good people (for example: moral and physical trauma, double binds, soul murder, and behavior in extreme situations.
Bei einem Blick auf virtuelle Realitäten im frühneuzeitlichen Theater gilt es, unsere vom digitalen Zeitalter geprägten Konzepte der Virtualität und Präsenz zu revidieren.
This edited volume offers new models for engaging with the work of John Ruskin, the Victorian art critic, architectural and educational theorist, amateur meteorologist and naturalist who gradually became an outspoken critic of capitalist economics and industrialization's toll on the environment.
This edited volume offers new models for engaging with the work of John Ruskin, the Victorian art critic, architectural and educational theorist, amateur meteorologist and naturalist who gradually became an outspoken critic of capitalist economics and industrialization's toll on the environment.
Bei einem Blick auf virtuelle Realitäten im frühneuzeitlichen Theater gilt es, unsere vom digitalen Zeitalter geprägten Konzepte der Virtualität und Präsenz zu revidieren.
This book interprets axial cultural symbols, specific cultural symbolic organizations, and symbolic constellations in the context of Critical Theory and its negative dialectic.
This book interprets axial cultural symbols, specific cultural symbolic organizations, and symbolic constellations in the context of Critical Theory and its negative dialectic.
There has been a steady stream of articles written on the relations between conceptions of meaning and the interpretation of literature, but there remains a need for a book that both introduces and significantly contributes to an elucidation and understanding of the ways that voice and tone contribute to the determination of meaning.
There has been a steady stream of articles written on the relations between conceptions of meaning and the interpretation of literature, but there remains a need for a book that both introduces and significantly contributes to an elucidation and understanding of the ways that voice and tone contribute to the determination of meaning.
