Fifty years after its original publication in 1976, this excellent analysis of the psycho-social dimensions of Shakespearean tragedy shows how the Shakespearean tragedies develop the idea of a conflict between nature and social structure.
This classic study of the Elizabethan sonnet, first published in 1956 and as a second edition in 1965, describes the development of the English sonnet from the early poems of Wyatt and Surrey, which were strongly influenced by Petrarch, to the great original sonnets of Sidney, Spenser and Shakespeare.
Fifty years after its original publication in 1976, this excellent analysis of the psycho-social dimensions of Shakespearean tragedy shows how the Shakespearean tragedies develop the idea of a conflict between nature and social structure.
This classic study of the Elizabethan sonnet, first published in 1956 and as a second edition in 1965, describes the development of the English sonnet from the early poems of Wyatt and Surrey, which were strongly influenced by Petrarch, to the great original sonnets of Sidney, Spenser and Shakespeare.
Shakespeare and Identity in a Divided World examines some of the most pressing issues about identity and so-called identity politics in the highly polarized twenty-first century.
Shakespeare and Identity in a Divided World examines some of the most pressing issues about identity and so-called identity politics in the highly polarized twenty-first century.
The Shakespearean International Yearbook surveys the present state of Shakespeare studies in global contexts, addressing issues that are fundamental to our interpretive encounter with Shakespeare's work and his time.
The Shakespearean International Yearbook surveys the present state of Shakespeare studies in global contexts, addressing issues that are fundamental to our interpretive encounter with Shakespeare's work and his time.
The Eco-Self in Early Modern English Literature tracks an important shift in early modern conceptions of selfhood, arguing that the period hosted the birth of a new subset of the human, the eco-self, which melds a deeply introspective turn with an abiding sense of humans' embedment in the world.
The Eco-Self in Early Modern English Literature tracks an important shift in early modern conceptions of selfhood, arguing that the period hosted the birth of a new subset of the human, the eco-self, which melds a deeply introspective turn with an abiding sense of humans' embedment in the world.
EL MAS PERSPICAZ Y COMPLETO ENSAYO SOBRE LA OBRA DEL DRAMATURGO ATICOOlvidado durante mucho tiempo, el teatro de Sofocles se revalorizo a principios del siglo XX y recobro su condicion de ser una de las cumbres de la literatura universal.
The Routledge Companion to Shakespeare and Religion surveys new and longstanding critical conversations about the role of religion in Shakespeare's plays and poems.
The Routledge Companion to Shakespeare and Religion surveys new and longstanding critical conversations about the role of religion in Shakespeare's plays and poems.
Combining early modern historiography with critical race and performance studies, Masquing Blackness offers a historically contextualized examination of the mechanics of blackness in Shakespeare's The Tempest.
Moving beyond a cisgender, heteronormative framework, this book investigates Shakespeare's queer legacy on Emily Dickinson's work, particularly how this legacy has inflected Dickinson's queer world-making and her conception not only of gender and sexuality, but also of the lyric itself.
Moving beyond a cisgender, heteronormative framework, this book investigates Shakespeare's queer legacy on Emily Dickinson's work, particularly how this legacy has inflected Dickinson's queer world-making and her conception not only of gender and sexuality, but also of the lyric itself.
Shakespeare in Pakistan offers a comprehensive examination of the appropriation of Shakespearean plays in Pakistan, with a focus on how these works engage with creative, indigenous, cultural, culinary, and religious expressions of identity.
Challenging received scholarship on the practice of Shakespeare's theatre, this book displaces a contemporary cultural bias towards leadership models to reconsider possibilities of working in a non-hierarchical and inclusive creative theatrical practice.
This book highlights the stories of women from premodern history and literature through models of adaptations, retellings, and criticism such as poems, plays, and essays.
Combining early modern historiography with critical race and performance studies, Masquing Blackness offers a historically contextualized examination of the mechanics of blackness in Shakespeare's The Tempest.
Challenging received scholarship on the practice of Shakespeare's theatre, this book displaces a contemporary cultural bias towards leadership models to reconsider possibilities of working in a non-hierarchical and inclusive creative theatrical practice.
Shakespeare in Pakistan offers a comprehensive examination of the appropriation of Shakespearean plays in Pakistan, with a focus on how these works engage with creative, indigenous, cultural, culinary, and religious expressions of identity.
This book highlights the stories of women from premodern history and literature through models of adaptations, retellings, and criticism such as poems, plays, and essays.
This study situates Tilney's intelligence manual in the emerging genre that developed around intelligence gathering in the late sixteenth century and attempts to explain how he reconciled the tension between his admiration for the aims of humanist history and his political and religious beliefs, matters directly relevant to understanding the sensibilities he brought to his duties and censor of plays and as a producer of plays for the court.
This study situates Tilney's intelligence manual in the emerging genre that developed around intelligence gathering in the late sixteenth century and attempts to explain how he reconciled the tension between his admiration for the aims of humanist history and his political and religious beliefs, matters directly relevant to understanding the sensibilities he brought to his duties and censor of plays and as a producer of plays for the court.
Jungian Shakespeare is an original work of Jungian literary criticism, examining the psychological expression within three plays from different times in Shakespeare's career through a Jungian framework.
Jungian Shakespeare is an original work of Jungian literary criticism, examining the psychological expression within three plays from different times in Shakespeare's career through a Jungian framework.
Eines der popularsten und komischsten Stucke des Wiener Volkstheaters in einer kommentierten NeuausgabeIm Reich des Feenkonigs Stellaris stehen die Dinge nicht zum Besten: Der bose Geist Lumpazivagabundus verfuhrt die Sohne der Zauberer zu Glucksspiel und Trunksucht, und die beiden Feen Fortuna und Amorosa streiten sich.
