The doomed king of Thebes brings shame on his family in this iconic three-play cycle of ancient Greek literature, a foundational work of Western drama.
From Harold Bloom, one of the greatest Shakespeare scholars of our time, comes an intimate, wise, deeply compelling portrait of Cleopatraone of the Bard's most riveting and memorable female charactersin ';a masterfully perceptive reading of this seductive play's endless wonders' (Kirkus Reviews).
From Harold Bloom, one of the greatest Shakespeare scholars of our time comes ';a timely reminder of the power and possibility of words [and] the last love letter to the shaping spirit of Bloom's imagination' (front page, The New York Times Book Review) and an intimate, wise, deeply compelling portrait of FalstaffShakespeare's greatest enduring and complex comedic characters.
The authoritative edition of Troilus and Cressida from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers.
The authoritative edition of Pericles from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers.
The authoritative edition of Richard II from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers.
The authoritative edition of Henry V from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers.
The Visual Spectacle of Witchcraft in Jacobean Plays: Blackfriars Theatre is an ideal reference for early modern scholars and lecturers who seek a thorough and practical guide to stage directions in print and performance, and paying particular attention to the early texts as evidence of performance practice.
Curated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeares works are given new life and purpose for today's readers and actors alike.
Curated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeares works are given new life and purpose for todays readers and actors alike.
Curated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeares works are given new life and purpose for todays readers and actors alike.
Curated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeares works are given new life and purpose for todays readers and actors alike.
Curated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeares works are given new life and purpose for todays readers and actors alike.
Curated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeares works are given new life and purpose for todays readers and actors alike.
Curated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeares works are given new life and purpose for todays readers and actors alike.
Curated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeares works are given new life and purpose for todays readers and actors alike.
Curated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeares works are given new life and purpose for todays readers and actors alike.
Curated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeares works are given new life and purpose for today's readers and actors alike.
Curated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeares works are given new life and purpose for today's readers and actors alike.
Curated by series editor Paul Sugarman from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologues from Shakespeares works are given new life and purpose for todays readers and actors alike.
The dramatic traditions and conventions available to Shakespeare at the time he wrote King Lear were so rich and varied as to constitute an extremely resonant and complex vocabulary, one that Shakespeare fully utilized to shape his audience's response and to create the unique world of this play.
The Problem Plays-Hamlet, Troilus and Cressida, All's Well That Ends Well and Measure for Measure-form a group distinguished by such common factors as a preoccupation with religious dogma and the problem of evil; an interest in human nature as it is, rather than with its latent capacities; and a strong contrast between the outlook of youth and age.
In the decades before history was institutionalized as a scholarly discipline, historical writing was practiced variously by poets, record keepers, lawyers, sermonizers, mythologizers, and philosophers.
