Classic and pre-20th century plays

Shakespearean performances regularly take place at both historic sites and locations with complex resonances, such as Shakespeare's Globe Theatre in London and the royal castle of Hamlet - Elsinore - in Denmark.

First published in 1970, this book explores drama as literature and provides critical overviews of different aspects of drama and the dramatic.

First published in 1970, this book explores drama as literature and provides critical overviews of different aspects of drama and the dramatic.

In the current climate of global military conflict and terrorism, Shakespeare at Peace offers new readings of Shakespeare's plays, illuminating a discourse of peace previously shadowed by war and violence.

In the current climate of global military conflict and terrorism, Shakespeare at Peace offers new readings of Shakespeare's plays, illuminating a discourse of peace previously shadowed by war and violence.

First published in 1972, this work pursues the question 'what is comedy?

First published in 1972, this work pursues the question 'what is comedy?

First published in 1970, this work explores the literary genre of satire.

First published in 1970, this work explores the literary genre of satire.

First published in 1978, this work bridges the gap between the study of poetic form, which tends to isolate form from meaning and structural poetics, which tends to focus on meaning without considering the stanza's impact.

First published in 1978, this work bridges the gap between the study of poetic form, which tends to isolate form from meaning and structural poetics, which tends to focus on meaning without considering the stanza's impact.

The problem of justice seems to have haunted Shakespeare as it haunted Renaissance Christendom.

The problem of justice seems to have haunted Shakespeare as it haunted Renaissance Christendom.

The book, first published in 1988, examines the role of magic in Elizabethan and Shakespearean theatre.

The book, first published in 1988, examines the role of magic in Elizabethan and Shakespearean theatre.

In this fascinating book, Leah S.

In this fascinating book, Leah S.

First published in 1973, this book is about Shakespeare, language and drama.

First published in 1973, this book is about Shakespeare, language and drama.

In Shakespeare's Language, Keith Johnson offers an overview of the rich and dynamic history of the reception and study of Shakespeare's language from his death right up to the present.

In Shakespeare's Language, Keith Johnson offers an overview of the rich and dynamic history of the reception and study of Shakespeare's language from his death right up to the present.

First published in 1969, this work examines the genre of Tragedy from its origins in ancient Greece, to the modern day.

First published in 1969, this work examines the genre of Tragedy from its origins in ancient Greece, to the modern day.

In this new monograph, Claire Hansen demonstrates how Shakespeare can be understood as a complex system, and how complexity theory can provide compelling and original readings of Shakespeare's plays.

La esclava del Negro Ponto es una obra dramatica escrita por Luciano Francisco de Comella, un autor espanol que vivio entre los siglos XVIII-XIX, conocido por sus dramas y comedias.

This book is an intervention in Hamlet scholarship.

Strategic Shakespeare demonstrates the value of humanities-trained scholars as leaders in higher education.

This book looks at Shakespeare through performance, capturing the dialogue between performance, Shakespeare, and contemporary concerns in the humanities.

Combines the critical and the creative, looking at the collisions that arise when Shakespeare texts are recreated in contemporary contexts.

This book looks at Shakespeare through performance, capturing the dialogue between performance, Shakespeare, and contemporary concerns in the humanities.

Combines the critical and the creative, looking at the collisions that arise when Shakespeare texts are recreated in contemporary contexts.

An updated edition of Shakespeare''s early comedy, featuring an introductory section on stage and critical interpretations.

This second edition features a new section on recent stage, film and critical interpretations.

This second edition of The Sonnets features a new introduction by Stephen Orgel.

Second edition of Titus Andronicus, with a new introductory section by Sue Hall-Smith.

Includes all the narrative poems that can confidently be assigned to Shakespeare.

A second edition of Measure for Measure, featuring a new introductory section by Angela Stock.

Second edition of Antony and Cleopatra featuring an introductory section on recent criticism and performance.

The second edition of King Henry V with a new introductory section by Andrew Gurr.

This second edition of The Comedy of Errors is revised and introduced by Ros King.

This second edition of All''s Well That Ends Well features a new introduction by Alexander Leggatt.

The second edition of King Richard III, with a new introductory section by Janis Lull.

The first publication of King Edward III in an authoritative edition of Shakespeare''s works.

Presenting an interesting approach to this once marginalized play, this edition addresses issues including collaboration, performance history, craftsmanship and sources.

A second edition of Coriolanus featuring a new introductory section by Bridget Escolme.

The Third Part of King Henry VI, brings Shakespeare''s story of Henry''s reign and fall to Richard, Duke of Gloucester, to its unhappy close.

This edition shows Shakespeare''s Pericles to be a unified aesthetic experience.

The first New Cambridge Shakespeare edition of Cymbeline, edited and introduced by Martin Butler.

The first New Cambridge Shakespeare edition of King Henry VIII, edited by John Margeson.

The First Part of King Henry VI gives us Shakespeare''s portrait of Joan of Arc, a prelude to key events in the Hundred Years War.