Plays, playscripts

Wallhandria ist ein Roman über verborgene Kräfte, alte Weisheiten und die Frage, wie sehr der Mensch sein Leben wirklich beeinflussen kann.

While British drama of the long eighteenth century remains largely unexamined as registering ecological fears, its visual spectacle and settings allow the audience to grasp threats to environments across the globe.

While British drama of the long eighteenth century remains largely unexamined as registering ecological fears, its visual spectacle and settings allow the audience to grasp threats to environments across the globe.

This book speaks to those interested in where and why Shakespeare's work is used to capture the transformative intentions of different areas of Applied Theatre practice (Prison, Disability, Therapy), representing a foundational study which considers subsequent histories and potential challenges when engaging with Shakespeare's work.

This book speaks to those interested in where and why Shakespeare's work is used to capture the transformative intentions of different areas of Applied Theatre practice (Prison, Disability, Therapy), representing a foundational study which considers subsequent histories and potential challenges when engaging with Shakespeare's work.

Defining class broadly as an identity categorization based on status, wealth, family, bloodlines, and occupation, Intersectionalities of Class in Early Modern English Drama e xplores class as a complicated, contingent phenomenon modified by a wider range of social categories apart from those defining terms, including, but not limited to, race, gender, religion, and sexuality.

Defining class broadly as an identity categorization based on status, wealth, family, bloodlines, and occupation, Intersectionalities of Class in Early Modern English Drama e xplores class as a complicated, contingent phenomenon modified by a wider range of social categories apart from those defining terms, including, but not limited to, race, gender, religion, and sexuality.

Heidi Craig demonstrates how dramatic and theatrical activity paradoxically thrived during the English theatre closures, 1642–1660.

This book is part biographical account, part novel, and part popular science.

This book is intended for researchers interested in using computational methods and tools to engage with music, dance and theatre.

This book is intended for researchers interested in using computational methods and tools to engage with music, dance and theatre.