'Will make everybody laugh' DOLLY ALDERTON ON THE HIGH LOWEnjoy this hilarious collection of over 200 haikus that sum up the complex, confusing and often compounding character of the British people.
A beautiful and inspiring collection of poetry by Maya Angelou, author of I KNOW WHY THE CAGED BIRD SINGS and 'a brilliant writer, a fierce friend and a truly phenomenal woman' (BARACK OBAMA).
En el corazón del Chaco, donde el sol escarmienta y la tierra se rehúsa a ser transformada, nace la historia de Fabián Fierro, un albañil cuya vida es un juramento de lucha y dignidad.
A beautiful gift for Christmas, this superb selection of writing, by celebrated Welsh poet Dylan Thomas, opens with his enchanting story A Child's Christmas in Wales.
The highly anticipated new collection from a poet whose previous book was a finalist for the Los Angeles Times Book PrizeRain in Plural is the much-anticipated fourth collection of poetry by Fiona Sze-Lorrain, who has been praised by The Rumpus as "e;a master of musicality and enlightening allusions.
An exciting new collection from a poet whose debut was praised by Colorado Review as "e;a seduction by way of small astonishments"e;Nate Klug has been hailed by the Threepenny Review as a poet who is "e;an original in Eliot's sense of the word.
This new anthology of poems, favourites from the nation's longest-running and best-loved request programme for verse, moves with the seasons, following the turning year from John Clare's 'pale splendour of the winter sun' to John Keats's 'Season of mists and mellow fruitfulness', by way of Larkin's 'young-leafed June' and Gerard Manley Hopkins' 'glassy peartree leaves and blooms' when 'Nothing is so beautiful as Spring'.
The poems in David Harsent's new collection, whether single poems, dramatic sequences, or poems that 'belong to one another', share a dark territory and a sometimes haunting, sometimes steely, lyrical tone.
Hugo Williams is rightly cherished for his inimitable fusion of autobiography and irony, and a technical glide that allows his writing to 'slip back to the past as effortlessly as a dreamer' (The Times).
When Stevie Smith died in 1971 she was one of the twentieth-century's most popular poets; many of her poems have been widely anthologised, and 'Not Waving but Drowning' remains one of the nation's favourite poems to this day.
Andrew Motion's new book opens with a sequence of war poems (first published as the pamphlet Laurels and Donkeys, on Armistice Day 2010), drawing on soldiers' experiences of war from 1914 until today - beginning with a story about Siegfried Sassoon and moving via World War Two and Korea to the recent conflicts in Iraq and Afghanistan.
To mark the Diamond Jubilee of Queen Elizabeth II's accession to the throne, Poet Laureate Carol Ann Duffy brings together a dazzling array of contemporary poets (sixty in fact) to write about each of the of the sixty years of Her Majesty's reign.
In these poems, Hugo Williams's subjects include the stings inflicted by school, family and love-life, and the exquisite (if qualified) solace afforded by their contemplation.
Paul Muldoon's collection Hay refines, and re-defines, a lyrical strain in which an ostensible lightness of touch still has the strength to bear the weightiest subject matter.
The poems in Maurice Riordan's second collection are unusual in their recourse to the humanist belief in poetry as one of the forms of knowledge, imparting information about the observable world; but they also mix ancient wisdom (signs and wonders) with the open-ended science of the quantum age.
'To say that [Fivemiletown] was one of the best books of the Eighties isn't enough: it is one of the best books I know, or for that matter, am capable of imagining: a corrosive and uproarious litany of bad sex, bad politics and bad religion.
When Philip Larkin's High Windows first appeared, Kingsley Amis spoke for a large and loyal readership when he wrote: 'Larkin's admirers need only be told that he is as good as ever here, if not slightly better.
For the first time, the vast canon of the poetry of Ted Hughes - winner of the Whitbread and Forward Prizes and former Poet Laureate - together in a single e-book.
The poems in Sylvia Plath's Ariel, including many of her best-known such as 'Lady Lazarus', 'Daddy', 'Edge' and 'Paralytic', were all written between the publication in 1960 of Plath's first book, The Colossus, and her death in 1963.
Electric Light travels widely in time and space, visiting the sites of the classical world, revisiting the poet's childhood: rural electrification and the light of ancient evenings are reconciled within the orbit of a single lifetime.
At the centre of this collection, which includes groups of elegies and love poems, there is a short sonnet sequence which concentrates themes apparent elsewhere in the book: the individual's responsibility for his own choices, the artist's commitment to his vocation, the vulnerability of all in the face of circumstance and death.
Originally published in 1969, Seamus Heaney's Door into the Dark continues a furrow so startlingly opened in his first collection, Death of a Naturalist (1966).
Wendy Cope's most recent collection, her first since Serious Concerns in 1992, extends her concern with the comedy of the examined life ('the way we have been, the way we sometimes are'), and imagines those adjustments to the ordinary which would fulfil our futures, or allow us to realize the golden age of five minutes ago, or weigh the 'out there' of the present moment, where what is in sight is also out of reach.
