In her first collection of new poetry since 2011's acclaimed Family Values, Wendy Cope celebrates 'the half-forgotten stories of our lives' with compassion, wisdom and wit.
Over the course of several years, Simon Armitage has written hundreds of poems for various projects, commissions, collaborations and events, which stand outside of his mainstream collections but now form a substantial body of work in their own right.
**NOW INCLUDING THE FIRST CHAPTER OF DEMON COPPERHEAD**FROM THE WINNER OF THE PULITZER PRIZE FOR FICTIONTWICE WINNER OF THE WOMEN'S PRIZE FOR FICTIONTHE MULTI-MILLION COPY BESTSELLING AUTHOR>The poems of How to Fly (in Ten Thousand Easy Lessons) find breath and lightness in the common business of living.
The Dolphin Letters offers an unprecedented portrait of Robert Lowell and Elizabeth Hardwick during the last seven years of Lowell's life (1970 to 1977), a time of personal crisis and creative innovation for both writers.
This edition brings together A Scattering and Anniversary into a single book of lamentation and remembrance, its subject being Christopher Reid's wife, the actress Lucinda Gane, who died of cancer at the age of fifty-five.
Frolic and Detour is a book that is at once engaged and engaging, woven with subtle threads of history and geography that represent not only our profound interconnectedness but the fragility of those very connections.
Walter de la Mare (1873-1956) was one of the best-loved English poets of the twentieth century, his verse admired by contemporaries including Thomas Hardy, Robert Frost, W.
In a period when nations are retracting within their borders, the vivid and intricate poems of Jamie McKendrick's new collection Anomaly are especially timely, and speak of a fragile legacy of openness and interconnectedness.
The Noise of a Fly is the first collection from Douglas Dunn in sixteen years, and the first since he was awarded the Queen's Gold Medal for Poetry in 2013.
Doves is Lachlan Mackinnon's most candid and affecting volume of poems to date, and follows on from Small Hours, shortlisted for the Forward Prize for Poetry in 2010.
Thom Gunn's controlled used of form and the metaphysical was in evidence from his first collection, Fighting Terms, in 1954, which was widely regarded - perhaps not entirely accurately - as a contributor to 'The Movement' and the opposition to modernism.
This new anthology of poems, favourites from the nation's longest-running and best-loved request programme for verse, moves with the seasons, following the turning year from John Clare's 'pale splendour of the winter sun' to John Keats's 'Season of mists and mellow fruitfulness', by way of Larkin's 'young-leafed June' and Gerard Manley Hopkins' 'glassy peartree leaves and blooms' when 'Nothing is so beautiful as Spring'.
Drawn from thirty years of work, this selection, made by the poet himself, gathers from the best of Jamie McKendrick's six acclaimed collections, including some translations, from 1991's debut The Sirocco Room to Out There (2012, and winner of the Hawthornden Prize) by way of The Marble Fly (1997), winner of the Forward Prize for Best Collection, and Ink Stone, shortlisted for both the T.
The poems in David Harsent's new collection, whether single poems, dramatic sequences, or poems that 'belong to one another', share a dark territory and a sometimes haunting, sometimes steely, lyrical tone.
Hugo Williams is rightly cherished for his inimitable fusion of autobiography and irony, and a technical glide that allows his writing to 'slip back to the past as effortlessly as a dreamer' (The Times).
Since his precise, potent and subtle portraits of Northern Irish life first came to public attention in the 1970s, Tom Paulin has been an unmissable writer on the contemporary poetry scene.
When Stevie Smith died in 1971 she was one of the twentieth-century's most popular poets; many of her poems have been widely anthologised, and 'Not Waving but Drowning' remains one of the nation's favourite poems to this day.