The definitive single-volume edition of the work of the greatest poet of the First World War2018 marks the centenary of the end of the First World War.
Winner of the 2015 Geoffrey Faber Memorial PrizeWinner of the 2015 Seamus Heaney Centre for Poetry Prize for First Full CollectionShortlisted for the 2015 T.
WINNER OF THE FORWARD PRIZE BEST FIRST COLLECTION 2014*PBS Recommendation 2014* When I became a bird, Lord, nothing could not stop me In Black Country, Liz Berry takes flight: to Wrens Nest, Gosty Hill, Tipton-on-Cut; to the places of home.
In the dice cup, then, life becomes not a design but a wager; not an adventure but a game Brimming with brio and brilliance, John Fuller s latest collection comprises exquisite philosophical arguments, dream visions, aphorisms, precise portraits, colourful fables and tableaux of life.
Never one to shy away from difficult subjects, in Love, Of a Kind Dennis brings awkwardness, pain and intimacy together in an inimitable and pithy way.
In her first collection since the Costa-winning Tilt, Jean Sprackland looks back at endings and beginnings: the end of a life, or of a marriage; old homes lived in and left, new homes discovered.
The poems of this dazzling second collection are of contradictory impulses: of abundance and famine, of absence and presence, of endings and new beginnings.
In a stunningly original mix of poetry, drama, and narrative, Anne Carson brings the red-winged Geryon from Autobiography of Red, now called G , into manhood, and through the complex labyrinths of the modern age.
James Lasdun's new book of poems, his first since his acclaimed collection Landscape with Chainsaw, applies his characteristic blend of the celebratory and the elegiac to a rich variety of new themes and old obsessions.
Paul Durcan's twenty-second collection finds Monsieur le Po te on the road in Paris, New York City, Chicago, Brisbane, and Achill Island, meditating upon the sanctuary of home and what it means to feel truly at home.
The long poem at the centre of John Hartley Williams' new collection is a dramatic monologue narrated by a laconic, possibly lamed, forest dweller, a lowly crewmember on a barge travelling an unnamed waterway.
From memories of childhood and personal loss to the quiet celebration of a lover's navigational skills, from meditations on nature and sexuality to the fantasy world of aquarium fish, the poems in A NORMAL SKIN cover a wide range: lyrical in tone, and highly visual, they express once again the poet's sense of wonder at the world, while exploring some new preoccupations, including love and identity the tension between masking and self-revelation, and the writer's pleasure at returning to Scotland after a long absense.
Raymond Carver, who became a master-storyteller of his generation and was hailed in Europe as 'the American Chekhov', wrote of himself: "e;I began as a poet.
Here is the distinctly surreal world of Henry King, who perished through his 'chief defect' of chewing little bits of string; of dishonest Matilda whose dreadful lies led her to death by burning; and of Godolphin Horne who 'held the human race in scorn' and ended as the boy 'who blacks the boots at the Savoy'.
With an introduction by Helen DunmoreCome for a walk down the river road,For though you're all a long time deadThe waters part to let us passThe way we'd go on summer nightsIn the times we were childrenAnd thought we were lovers.
Each poem in Sean O'Brien's superb new collection opens on a wholly different room, vista or landscape, each drawn with the poet's increasingly refined sense of tone, history and rhetorical assurance.
Collecting poetry written in the years 2011-2014, Sentenced to Life sees Clive James look back over his extraordinarily rich life with a clear-eyed and unflinching honesty.
This unique collection of poems from the Poet Laureate, filled with her characteristic wit, is a feminist classic and a modern take on age-old mythology.
Sailing the Forest, Robin Robertson's Selected Poems, is the definitive guide to one of the most important poetic voices to have emerged from the UK in the last twenty-five years.
Frances Leviston's first collection, Public Dream, was one of the most acclaimed debuts of recent years, and praised for combining 'technical mastery with a lucidity that verges on the hypnotic' (Independent).
Furniture, Lorraine Mariner's debut collection, was shortlisted for both the Forward Prize for Best First Collection and the Seamus Heaney Centre Poetry Prize.
After the success of Grain (shortlisted for the Griffin Poetry Prize, poetry's most prestigious international award) John Glenday returns with The Golden Mean.
Aimless Love is Billy Collins' first compilation of poems in twelve years, and a wonderful successor to his first, the bestselling Taking Off Emily Dickinson's Clothes.
Kae Tempest is one of the most exciting and innovative performers to have emerged in spoken-word poetry in many years; their dramatic poem Brand New Ancients won the prestigious Ted Hughes Prize for innovation in poetry.
In John Kinsella's new collection, 'Sack' not only refers not only to the shocking title poem, where a tied, writhing sack is seen flung from a car into gully - but also to the sacking and exploitation of the landscape and those who labour on it.
In her prize-winning fourth collection, Mean Time, Poet Laureate Carol Ann Duffy dramatizes scenes from childhood, adolescence and adulthood, finding moments of grace or consolation in memory, love and language amid the complexities of life.
