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Sometimes an echoing or answering poem, sometimes a second voice, the "e;ghost text"e; in Spine mimics and examines the difficulty of processing information from multiple sources at once.
Known to many as the study of quiet stillness and introspection, Zen Buddhism distinguishes itself through brilliant flashes of insight and its terseness of expression.
Robin Blaser, one of the key North American poets of the postwar period, emerged from the "e;Berkeley Renaissance"e; of the 1940s and 1950s as a central figure in that burgeoning literary scene.
The formally nuanced and wise epistolary poems in David Biespiels new collection are grounded in friendship, camaraderie, and the vulnerability and boldness that defines America.
In his discussion of clowns in nineteenth-century French painting from Jean-Leon Gerome's 1857 La Sortie du bal masque to Georges Rouault, art historian Francis Haskell wondered why they are so sad.
Through the recurrence of memory, myth, and grief, / Return captures the elusory language of sorrow and solitude that binds Taiwanese diasporic experience.
"e;Like a Ship's Fair Ghost Upon the Sea"e; is a collection of poetry by various poets dedicated to the White Ship, a vessel that sank in the English Channel on 25th November, 1120.
"e;Breezes blowin' middlin' brisk, / Snowflakes thro' the air a-whisk, / Fallin' kind o' soft an' light, /Not enough to make things white, / But jest sorter siftin' down / So 's to cover up the brown /Of the dark world's rugged ways / 'N' make things look like holidays.
« Paupières grand ouvertes l’iris fouetté le blanc fou les veines rafraîchies les sangs chauds comme en août les ponts la mer le vent la houle les nuages qui courent le soleil qui roule poissons en bancs en solitaire en troupeaux tu te couvres d’écailles blanches tu tombes du bateau nous quittons le ponton chute chute chut l’ile ça y est allons pêcher ».
'With a meticulously researched, absorbing verse narrative, Colleen Keating brings Olive Muriel Pink's significant, neglected history to life with distinctive, beautiful imagery.
The seventeenth book of verse from one of America’s finest and most acclaimed contemporary poets—winner of the Pulitzer Prize and the National Book Award.
Wrong Norma is Anne Carson's first book of original material in eight yearsNATIONAL BOOK CRITICS CIRCLE AWARD WINNER FOR POETRY'Effortlessly readable and a word critics don t often use about her fun' DAILY TELEGRAPH'I'm a big fan.
The Poems of Browning is the first collected edition to be based on the earliest printed texts, and to present these texts in order of their composition.
In recent years philosophers have produced important books on nearly all the major arts: the novel and painting, music and theatre, dance and architecture, conceptual art and even gardening.
The TRP Southern Poetry Breakthrough Series: North Carolina Inhabiting myriad landscapes, including the marshes, rivers, and sounds of the North Carolina foothills, as well as gulfs, floodplains, and the overflowing banks of the Chattahoochee, Sally Stewart Mohney's Low Country, High Water consists of delicate, often minimal explorations of family, mortality, nature, and the world behind perception.
Nonequilibrium statistical mechanics (NESM), practically synonymous with time-dependent statistical mechanics (TDSM), is a beautiful and profound subject, vast in scope, diverse in applications, and indispensable in understanding the changing natural phenomena we encounter in the physical, chemical and biological world.
All Is Flesh collects in one volume Hugh Hazelton's English translations of Yannick Renaud's brilliant first two books of poems, Taxidermy and The Disappearance of Ideas, first published by Editions Les Herbes rouges in Montreal.
From Sadness and Happiness: Poems by Robert Pinsky:CEREMONY FOR ANY BEGINNINGRobert PinskyAgainst weather, and the randomHarpies--mood, circumstance, the lawsOf biography, chance, physics--The unseasonable soul holds forth,Eager for form as a renownedPedant, the emperor's man of worth,Hereditary arbiter of manners.
The first and one of the finest Latin poets of Anglo-Saxon England, the seventh-century bishop Saint Aldhelm can justly be called “Britain’s first man of letters.
Published to accompany the John Piper exhibition at the Tate Liverpool and written by its curator, this book presents a comprehensive examination of the English artist's role as champion of modernism in Britain.
