In his book "What I Am In," Ahmed Al-Shahawi enters into a new and difficult experience, and a confusing adventure, where silence is more eloquent and more eloquent than speech, and where the freedom of the soul is greater in revealing, attacking, and confessing, as he lets the soul - which fights an enemy in the imagination - write its conditions, and hear its voices, It seeks out its obsessions and spreads its senses and intuition.
Defying the current trend of contemporary poetry, using simple but profound language, and risking absurdity in the face of critical review, the author seeks to revive the content of what constitutes poetic jargon, and thereby initiate whatever social change is possible following the path of bards of old.
Sobre la base de los conceptos de transculturación narrativa de Ángel Rama y de heterogeneidad cultural de Antonio Cornejo Polar, pero adaptándolos al análisis de la poesía, Camilo Fernández Cozman aborda en este estudio el diálogo que se evidencia, en la poesía de César Vallejo, Antonio Cisneros y José Watanabe, entre culturas distintas desde el discurso de sujetos descentrados o fragmentados cuyas identidades se constituyen gracias a una pluralidad de voces.
