Supporting the theory that there is no singular 'Bible', and the idea that biblical literacy is demonstrated in a multitude of ways beyond confessional interpretations of biblical texts, the contributors of this volume explore how multiple 'Bibles' coexist simultaneously in popular cultures.
Subverting celebrated classics of poetry and mythology and examining horrors from contemporary film and cultural fact, National Book Award winner Justin Phillip Reed engages darkness as an aesthetic to conjure the revenant animus that lurks beneath the exploited civilities of marginalized people.
Ce recueil de poèmes se veut un mélange, un savant dosage à la fois de chants et de sincères cris de douleurs contre les incongruités environnantes, le tout dans une rythmique au bord du féerique, sur une parfaite liberté de choix des thématiques.