The first full-length, archive-based history of Soviet Central Television’s production and programming in the decades before perestroika In the first full-length study of Soviet Central Television to draw extensively on archival sources, interviews, and television recordings, Evans challenges the idea that Soviet mass culture in the Brezhnev era was dull and formulaic.
Joined together in an “economic development marriage,” Walt Disney World and Orlando, Florida, have become the world’s most popular tourist destination.
Surveying the strategies employed by film studios to market and produce their most successful films between 1929 and present day, this book incorporates multilayered comprehensive analysis on the media industry and how it works.
In its golden age, American radio both entertained and also fostered programs meant to produce self-governing and opinion-forming individuals, promoting openness to change and tolerance of diversity, familiarity with classical music, and knowledge of world affairs.
Like its companion volume, Telecommunications in Europe, this book deals with the evolution of powerful monopoly institutions in the communications field--the public broadcasters--and the dramatic changes that took place in the late 1980s throughout Europe, and transformed the media landscape.
Radio Four has been described as 'the greatest broadcasting channel in the world', the 'heartbeat of the BBC', a cultural icon of Britishness, and the voice of Middle England.
In this definitive and long-awaited history of 1950s British cinema, Sue Harper and Vincent Porter draw extensively on previously unknown archive material to chart the growing rejection of post-war deference by both film-makers and cinema audiences.
Radio Four has been described as 'the greatest broadcasting channel in the world', the 'heartbeat of the BBC', a cultural icon of Britishness, and the voice of Middle England.
The story of radio begins alongside that of the Soviet state: Russia's first long-range transmission of the human voice occurred in 1919, during the civil war.
Starting with 1964's Goldfinger, every James Bond film has followed the same ritual, and so has its audience: after an exciting action sequence the screen goes black and the viewer spends three long minutes absorbing abstract opening credits and a song that sounds like it wants to return to 1964.
Starting with 1964's Goldfinger, every James Bond film has followed the same ritual, and so has its audience: after an exciting action sequence the screen goes black and the viewer spends three long minutes absorbing abstract opening credits and a song that sounds like it wants to return to 1964.
ONE OF THE BESTSELLING MEMOIRS OF ALL TIME WITH OVER FIVE MILLION COPIES SOLD WORLDWIDEDiscover the heartfelt, laugh-out-loud account of one of Hollywood's greatest actors and, above all, greatest menDebonair English wit and humourist extraordinaire, star of The Pink Panther, Casino Royal and Around the World in 80 Days, few Hollywood actors are remembered as fondly as David Niven.
This book provides the first comprehensive overview of the global landscape of documentary film festivals, looking at its contemporary and future challenges.
Beyond the Throne is the first memoir to share behind the scenes stories of the perils and triumphs of Game of Thrones from beloved performer Kristian Nairn, who played Hodor and became one of the most recognizable figures of the global television phenomenon.
On Sunday, 31 January 2016 a nation used to waking 'up to Wogan' on his Radio 2 breakfast show instead awoke to the shocking news that Sir Terry Wogan had passed away at the age of seventy-seven.
Since 1999, South Korean films have dominated roughly 40 to 60 percent of the Korean domestic box-office, matching or even surpassing Hollywood films in popularity.
This book examines the evolution of the Korean film industry, presenting a comprehensive account from the early days of experimental screening to its current period of attracting increased foreign investment.
As filmmakers in the Global South are increasingly faced with the choice of succumbing to foreign visions of their own culture or losing access to indispensable funds and future prospects, this study explores this quandary through studying filmmaker's own perspectives.
As filmmakers in the Global South are increasingly faced with the choice of succumbing to foreign visions of their own culture or losing access to indispensable funds and future prospects, this study explores this quandary through studying filmmaker's own perspectives.
