In the mid-20th century, African musicians took up Cuban music as their own and claimed it as a marker of black Atlantic connections and of cosmopolitanism untethered from European colonial relations.
In the mid-20th century, African musicians took up Cuban music as their own and claimed it as a marker of black Atlantic connections and of cosmopolitanism untethered from European colonial relations.
The two-volume Oxford Handbook of Music Performance provides a resource that musicians, scholars and educators will use as the most important and authoritative overview of work within the areas of music psychology and performance science.
The two-volume Oxford Handbook of Music Performance provides a resource that musicians, scholars and educators will use as the most important and authoritative overview of work within the areas of music psychology and performance science.
The two-volume Oxford Handbook of Music Performance provides a resource that musicians, scholars and educators will use as the most important and authoritative overview of work within the areas of music psychology and performance science.
The two-volume Oxford Handbook of Music Performance provides a resource that musicians, scholars and educators will use as the most important and authoritative overview of work within the areas of music psychology and performance science.
The complete collection of Nick Cave lyrics spanning his entire career, from 1978 until 2013, revised and updated by the cult rock star'He is an Australian artist like Sidney Nolan is an Australian artist - beyond comparison, beyond genre, beyond dispute' - from Nick Cave's induction into the Australian Hall of FameThis complete collection of Nick Cave's lyrics spans his entire career, from his writing for The Birthday Party through the highly acclaimed Murder Ballads and The Boatman's Call to recent work with Grinderman and his 2013 album, Push the Sky Away.
#2 UNCUT BOOK OF THE YEAR 2023In 1979, 2 Tone exploded into the national consciousness as records by The Specials, The Selecter, Madness, The Beat, and The Bodysnatchers burst onto the charts and a youth movement was born.
Drawing on a deep and long-term first-hand engagement with major labels in the early years of the 21st century, this book sheds new light 'behind the scenes', at a time of drastic and far-reaching transformation.
Recording technologies shaped the sound and meaning of 20th-century folk music in Britain, constructing a sonic aesthetics of authenticity in an era of rapid technological and social transformation.
Weida Wang explores how Western classical music (WCM) has become increasingly popular in China, framing the industry as a complex entity intricately embedded within China's political landscape, cultural economy, and cultural industries.
Bringing together leading experts in the field of gender and popular music, this collection emphasizes the ways we can shape our personal understandings of what gender is or could be in the music industry.
Featuring interviews with Amy Taylor of Amyl and the Sniffers, Angie McMahon, Anna Laverty, Anna Lunoe, BARKAA, Camp Cope, Courtney Barnett, Elly-May Barnes, Fanny Lumsden, Julia Jacklin, Kira Puru, Marcia Hines, RIAH, Romy Vager, Sampa the Great, Sarah Blasko, Sosefina Fuamoli and Vika and Linda Bull.
The life and career of a producer who sought to bring jazz to the massesCreed Taylor was one of the most successful jazz producers of all time-and one of the most controversial.
