Publishing industry and journalism

This Element examines pre-web literary hypertext as a watershed moment in the history of digital publishing.

Considers how natural language generation conforms to and confronts traditional understandings of authorship and what it means as a reader.

Considers how natural language generation conforms to and confronts traditional understandings of authorship and what it means as a reader.

Explains the methods and knowledge to understand how and why paper was used in medieval writing and beyond.

This study cuts across book arts and literary stylistics in a revisionary theory of language as medium in textual action.

Explores how the decline in local political reporting has depressed citizen engagement with local politics in the US.

Leading scholars of media and public life grapple with how to make sense of major transformations rocking media and politics.

This study cuts across book arts and literary stylistics in a revisionary theory of language as medium in textual action.

Explores how the decline in local political reporting has depressed citizen engagement with local politics in the US.

Leading scholars of media and public life grapple with how to make sense of major transformations rocking media and politics.

Analyses how, from the late 70s, Virago used reprints to realise commercial success, moving women''s writing from margin to centre.

A large-scale empirical investigation into the frequency and accuracy of media coverage of public policy.

Analyses how, from the late 70s, Virago used reprints to realise commercial success, moving women''s writing from margin to centre.

This Element provides the first focus on entrepreneurship in book publishing (freelancers, booksellers, and publishers).

This Element provides the first focus on entrepreneurship in book publishing (freelancers, booksellers, and publishers).

A large-scale empirical investigation into the frequency and accuracy of media coverage of public policy.

Concepts of being, learning and doing have potential to form a holistic practice-led pedagogy for students of editing and publishing.

Concepts of being, learning and doing have potential to form a holistic practice-led pedagogy for students of editing and publishing.

The canon of modern fantasy is in flux: this Element examines key questions raised by the fantasy canon.

Explores how bookshops like David Archer''s on Parton Street (London) in the 1930s were sites of distribution, publication, and networking.

A review of recent computational (deep learning) approaches to understanding news and nonfiction stories.

The first comprehensive guide to women''s promotion and use of textual culture, in manuscript and print, in Renaissance Italy.

Explores historical and contemporary imperatives to (re)translate African literature which argues that translation is not a metaphor.

Explores historical and contemporary imperatives to (re)translate African literature which argues that translation is not a metaphor.

This Element argues that editing is computational, and that such ''computations'' enable new methods of publishing, reading, and experiences.

This Element argues that editing is computational, and that such ''computations'' enable new methods of publishing, reading, and experiences.

The first comprehensive guide to women''s promotion and use of textual culture, in manuscript and print, in Renaissance Italy.

This Element examines digital peer-review practices and institutional change focusing on reviewer behaviour at the megajournal PLOS ONE.

This Element examines digital peer-review practices and institutional change focusing on reviewer behaviour at the megajournal PLOS ONE.

Demonstrates that rather than Penguin Classics'' frequently cited ''general reader'', a more academic market contributed their success.

Demonstrates that rather than Penguin Classics'' frequently cited ''general reader'', a more academic market contributed their success.

Examine the history of the critique of edited collections, and explores the vital roles they play in collaborative scholarly communication.

Presents the final volume of the seven-volume Cambridge History of the Book in Britain series, focusing on the twentieth century and beyond.

Explores how the idea of rare books was shaped by collectors, traders and libraries from the sixteenth to the nineteenth centuries.

Shows how Fox News'' appeal is based on its populist presentational style, not its conservative ideological bias.

Shows how Fox News'' appeal is based on its populist presentational style, not its conservative ideological bias.

Explores how David Garrick - actor, newspaper proprietor and part-owner of Drury Lane Theatre - mediated his own celebrity.

Shows that the young adult fantasy genre is a dynamic formation that reshapes itself responsively in a continuing process over time.

A case study of seventeen interviews with teens and young adults who describe themselves as readers of comics for pleasure.

A new perspective of art and the market, that sees them as productive together, with evidence from bestselling writers.

Explores how UK wealth inequality is discussed in newspapers, with a particular focus on changes over the past forty-five years.

Recovers and analyzes novel manuscripts and post-publication revisions to construct a new narrative about eighteenth-century authorship.

Exploring blockchain and bitcoin, Magnuson shows how the technology rife with crime and speculation also offers innovation and hope.

Contributes to the debate on what it meant to publish a book in manuscript through case-studies of twelfth-century Anglo-Norman historians.

Presents the final volume of the seven-volume Cambridge History of the Book in Britain series, focusing on the twentieth century and beyond.

Illuminates Britain''s literary field during the 1820s as a decade of improvisation, speculation and rapid cultural change.

Illuminates Britain''s literary field during the 1820s as a decade of improvisation, speculation and rapid cultural change.

Recovers and analyzes novel manuscripts and post-publication revisions to construct a new narrative about eighteenth-century authorship.

A new perspective of art and the market, that sees them as productive together, with evidence from bestselling writers.

Exploring blockchain and bitcoin, Magnuson shows how the technology rife with crime and speculation also offers innovation and hope.