Digitaler Journalismus – ein Handbuch für Recherche, Produktion und Vermarktung beleuchtet den journalistischen Arbeitsprozess komplett aus digitaler Perspektive und gibt praktische Antworten auf Fragen wie: Wie finde ich im Netz Themen?
Gleichgültig, welche Unterschiede in Methode oder Weltsicht die Wissenschaft von den Medien auch trennen mögen, man darf mit Gewißheit behaupten, daß beide ebenso leidenschaft lich für Unabhängigkeit eintreten, wie sie wachsenden Einfluß auf Wandel und Werte der Gesellschaft ausüben.
This book constitutes the refereed proceedings of the 13th International Conference on Software Business, ICSOB 2022, which was held during November 8-11, 2022 in Bolzano, Italy.
This edited book focuses on the certifiers of scientific knowledge, bringing together experts in a variety of areas in Applied Linguistics to address the complex topic of editing and reviewing in writing for scholarly publication.
Bookshelves in the Age of the COVID-19 Pandemic provides the first detailed scholarly investigation of the cultural phenomenon of bookshelves (and the social practices around them) since the start of the pandemic in March 2020.
This volume brings together a range of voices from across the global environmental media community to build a comparative international set of perspectives on 'green' film and television production.
This book explores the cycle of horror on US television in the decade following the launch of The Walking Dead, considering the horror genre from an industrial perspective.
Taking a transnational approach to the study of film culture, this book draws on ethnographic fieldwork in a South Korean university film club to explore a cosmopolitan cinephile subculture that thrived in an ironic unevenness between the highly nationalistic mood of commercial film culture and the intense neoliberal milieu of the 2000s.
This book constitutes the refereed proceedings of the 12th International Conference on Software Business, ICSOB 2021, which was held during December 2-3, 2021.
This book provides a rich description of the shifting production cultures in convergent Chinese television industries, through the examination of daily production practices, showing how they embody a new set of opportunities and tensions across strategic, programming and individual levels.
Print Culture, Agency, and Regionality in the Hand Press Period illuminates the diverse ways that people in the British regional print trades exerted their agency through interventions in regional and national politics as well as their civic, commercial, and cultural contributions.
