This book offers the first comprehensive analysis of the origin and development of the concept of physical continuity in ancient thought before Aristotle, combining a thorough study of Presocratic philosophy with Aristotle's perspective.
Conformity, uniformity, institutionality, exceptionality each of these terms encapsulates an aspect of the common perception of Sparta, both among scholars and in the popular imagination.
Exploring the intriguing interplay between tradition and modernity in the 19th-century capitals of London, Athens and Rome, Richard Alston delves into the political and architectural choices that shaped these cities as representations of self-consciously modern nations.
This volume, the first devoted specifically to Speusippus in English, offers a new picture of Speusippus' philosophy via an in-depth analysis of the testimonia preserved by Aristotle.
Encounters with Greek Art sheds new light on the invention of ancient identities by focusing on encounters between viewers and artworks swept to Italy on the tides of Roman imperialism between 146 BCE and 117 CE.
Conformity, uniformity, institutionality, exceptionality each of these terms encapsulates an aspect of the common perception of Sparta, both among scholars and in the popular imagination.
This book offers the first comprehensive analysis of the origin and development of the concept of physical continuity in ancient thought before Aristotle, combining a thorough study of Presocratic philosophy with Aristotle's perspective.
This book explores the circumstances surrounding Socrates' death, critically analysing conflicting sources to establish a framework for understanding his intellectual activities in the cultural, political, and religious context of 5th-century BC Athens.
PRAISE FOR A CULTURAL HISTORY OF IDEAS: VOLUMES 1-6A 2024 CHOICE OUTSTANDING ACADEMIC TITLE2023 AAP PROSE AWARDS WINNER: BEST HUMANITIES REFERENCE WORKThe essays in this volume of the award-winning A Cultural History of Ideas explore essential domains of reflection and practice in the cultures of ancient Greece and Rome.
This book sheds new light on the dramatic works of the American playwright, poet, and lyricist Maxwell Anderson, assessing the pervasive influence of Greek and Roman antiquity on his plays that dominated Broadway in the first half of the twentieth century.
