The Werewolf in Medieval Romance argues that in Guillaume de Palerne, Bisclavret, Arthur and Gorlagon, Melion, William of Palerne, and Biclarel the werewolf’s identity incorporates a variety of assemblages, including human and animal bodies, and physical spaces and the animate and inanimate beings or objects therein.
The Werewolf in Medieval Romance argues that in Guillaume de Palerne, Bisclavret, Arthur and Gorlagon, Melion, William of Palerne, and Biclarel the werewolf’s identity incorporates a variety of assemblages, including human and animal bodies, and physical spaces and the animate and inanimate beings or objects therein.
This book demonstrates that premodern elite and royal women were critical to the geopolitical success of late medieval territorial monarchies, the progenitors of early modern states.
This book collects together all contemporary and near-contemporary accounts of the 1467 emprise, a particular performative feat of arms, between Anthony Woodville, Lord Scales—brother of Elizabeth Woodville, wife of King Edward IV of England—and Antoine, ‘Grand Bastard of Burgundy,’ natural son of Duke Philip ‘the Good’ of Burgundy.
This book collects together all contemporary and near-contemporary accounts of the 1467 emprise, a particular performative feat of arms, between Anthony Woodville, Lord Scales—brother of Elizabeth Woodville, wife of King Edward IV of England—and Antoine, ‘Grand Bastard of Burgundy,’ natural son of Duke Philip ‘the Good’ of Burgundy.
This book demonstrates that premodern elite and royal women were critical to the geopolitical success of late medieval territorial monarchies, the progenitors of early modern states.
This book explores the automata of the Medici Villa Pratolino, focusing on the intersection of art, engineering, and philosophy in the late sixteenth century.
This book explores the automata of the Medici Villa Pratolino, focusing on the intersection of art, engineering, and philosophy in the late sixteenth century.
The book deals with the policy of the Byzantine state in the field of ecclesiastical matters from the end of Iconoclasm in 843 to the death of Emperor Basil I in 886.
The book deals with the policy of the Byzantine state in the field of ecclesiastical matters from the end of Iconoclasm in 843 to the death of Emperor Basil I in 886.
