In February 1999, Steven Sater conceived the radical notion of creating a rock musical from Frank Wedekind's notorious Symbolist drama, Fruhlings Erwachen, and he enlisted his friend and writing partner Duncan Sheik in the enterprise.
Shakespeare-Dramen in allen Variationen - neuübersetzt, nachgedichtet, bearbeitet, überschrieben, ganz gegen den Strich gelesen von den wichtigsten Stimmen des deutschsprachigen Gegenwartstheaters: Plinio Bachmann, Gabriella Bußacker, Nuran David Calis, Gesine Danckwart, Helmut Krausser, Albert Ostermaier, Jens Roselt, Roland Schimmelpfennig, Werner Schwab, Marlene Streeruwitz.
This textbook familiarizes students with grammatical concepts of the English language and develops skills to apply grammar to creative writing and the study of literature.
This book has been designed specifically for students in writing classes and other writers interested in developing proficient writing careers in a professional environment.
Tradition in Creative Writing: Finding Inspiration Through Your Roots encourages writers to rediscover sources of creativity in the everyday, showing students how to see your writing as connected to your life.
Creative Writing Practice: reflections on form and process explores the craft of creative writing by illuminating the practices of writers and writer-educators.
This book provides an important and original way of understanding how journalists use emotion to communicate to readers, posing the deceptively simple question, 'how do journalists make us feel something when we read their work?
Shakespeare's Storytelling: An Introduction to Genre, Character, and Technique is a textbook focused on specific storytelling techniques and genres that Shakespeare invented or refined.
This unusually diverse collection of ten essays, devoted to British and Irish writers and poets from 1895 to the present, explores many aspects of the creative process, from inspiration to publication and beyond.
Gender and Prestige in Literature: Contemporary Australian Book Culture explores the relationship between gender, power, reputation and book publishing's consecratory institutions in the Australian literary field from 1965-2015.